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外国语言与文化（英文）

外国语言与文化（英文）

《外国语言与文化》期刊于2016年12月23日经国家新闻出版广电总局批复成立,国内统一连续出版物号分别为CN43-1536/H，主管单位为湖南省教育厅，主办单位为湖南师范大学，出版单位为湖南师范大学出版社有限公司，学术支持单位为湖南师范大学外国语学院。 期刊坚持"语言为本、文化交融；质量至上、百家争鸣"的办刊方针，深化外国语言和文化研究，重点关注"一带一路"沿线国家的语言和文化，推出能引领学科发展、促进文化交流、服务国家建设和社会发展的创新成果。 发布国内外外国语言和文化学界的前沿研究，同时为跨学科的研究提供交流的平台。 期刊主编为湖南师范大学蒋洪新校长。拟设板块主要有语言与语言学、文学与评论、翻译理论与实践、区域与国别文化、外语教学与评价等。期刊还设有书评及访谈等栏目，同时，还将根据需要不定期开设研究专栏。
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  • 国内刊号/CN：43-1537/H
    国际刊号/ISSN：2096-4374
  • 发行周期：半年刊
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  • 主管单位：湖南省教育厅
    主办单位：湖南师范大学
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外国语言与文化（英文） >2022年第2期
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  • 摘要：Published in the last year of Augusto Pinochet Ugarte's military dictatorship saw its end, My Father (El padre mío) constitutes an interprofessional...>>详细Published in the last year of Augusto Pinochet Ugarte's military dictatorship saw its end, My Father (El padre mío) constitutes an interprofessional, collaborative work between Chile National Literature Prize winner Diamela Eltit and visual artist Lotty Rosenfeld, composed of unaltered transcriptions of three monologues (dis)articulated by a schizophrenic vagrant who referred to himself as My Father. By re-enacting the vagrant's irrational utterances in a truthful but parodic manner, Eltit and Rosenfeld "orphaned" these spoken words into a work of written literature that mocked the authoritarian voice of the dictator who had imposed himself as the Grand Orator of the Nation and the Father of Chile. The main objective of the present work, which is principally based on the conceptualization of Mute Speech by Jacques Rancière, is to examine the political dimension of Eltit and Rosenfeld's aesthetic endeavor: through an exploration of the possibilities of political emancipation that the vagrant's fatherless monologues fostered in My Father, our study demonstrates that what neoliberal civil society presupposes as objectionable animalistic noises may be capable of intervening in what Rancière refers to as the "distribution of sensible" and its consolidated aesthetics of hierarchy, thus subverting the fable of pater familias and pater patriae concocted by Pinochet's right-wing military regime.
  • 摘要：Valdei Lopes de Araujo is Ph.D. in Social History of Culture by the Pontifical Catholic University of Rio de Janeiro (PUCRio), professor at the Fede...>>详细Valdei Lopes de Araujo is Ph.D. in Social History of Culture by the Pontifical Catholic University of Rio de Janeiro (PUCRio), professor at the Federal University of Ouro Preto (UFOP).
  • 摘要：The COVID-19 pandemic has created an unprecedented crisis all over the world, while it also marks the coming of a new era of opportunities and chall...>>详细The COVID-19 pandemic has created an unprecedented crisis all over the world, while it also marks the coming of a new era of opportunities and challenges, especially for higher education. Universities should be more inclusive and innovative in communication and cooperation, promoting opportunities for collaborations in all aspects and reshaping international education.
  • 摘要：The dialectic of localism and cosmopolitanism, with the opposition between nationalists and cosmopolitans, since independence and perhaps even befor...>>详细The dialectic of localism and cosmopolitanism, with the opposition between nationalists and cosmopolitans, since independence and perhaps even before, is an element that structured the spiritual life and the literature of a country such as Brazil, as it was pointed out by Antonio Candido. This dialectic in a globalized country which had been transformed by an extremely rapid urbanization, nowadays is perhaps stronger than ever. That could be seen in contemporary literature, on the level of the imaginary but also on the level of the representation of cities such as Manaus in the north of the country (Relato de um certo Oriente, by Milton Hatoum), Recife in the northeast (Estive lá fora, by Ronaldo Correia de Brito), or Brasilia in the central west (Cidade Livre, by Jo?o Almino). Through these three novels, this essay aims to analyze how a few years after the end of the dictatorship, at a time marked by important changes in Brazilian society, the fiction grasps the articulation between local specificities and the "globalized" city. To that extent, the reading of many urban contemporary fictions will build a kind of mosaic of Brazil and its cultural varieties, through the prism of the city.
  • 摘要：In the mid-seventies, Paraguay was two decades into what would ultimately be the second longest dictatorship in its history, second only to the reig...>>详细In the mid-seventies, Paraguay was two decades into what would ultimately be the second longest dictatorship in its history, second only to the reign of its "founding father," Doctor José Rodríguez Gaspar de Francia. The regime of Alfredo Stroessner justified its existence and articulated its continued role in Paraguayan politics on a genealogy of national identity that had its supposed roots in the Francia government, Francia's political ideology and, in fact, in the historical person of Francia himself. In this essay I show how the great Paraguayan writer Augusto Roa Bastos's 1974 novel, I, the Supreme, takes aim at the "kernel of the real" in the Stroessner regime's political genealogy, using fiction to make evident its anamorphic manipulation of national and nationalist identity. By taking at its word the regime's historical discourse, I, the Supreme reveals the psychotic logic animating its version of political power.
  • 摘要：This essay seeks to articulate a detailed reading through two anatomical selections – the mouth and tongue—in Brazilian art from the end of the 1960...>>详细This essay seeks to articulate a detailed reading through two anatomical selections – the mouth and tongue—in Brazilian art from the end of the 1960s. The reading is part of a shift in the matrix of Oswald de Andrade's "Anthropophagic Manifesto," originally published in the Revista de Antropofagia in 1928, whose interpretations spread in Brazil during the second half of the 20th century. This study mobilises elements of the manifesto and its resonance in the works of artists such as Anna Maria Maiolino, Lygia Pape, Paulo Bruscky, and Lenora de Barros.
  • 摘要：Beyond Exceptionalisms A specter is haunting Latin American Studies: exceptionalism.1 In other words, the highly unanthropological (if you can forgi...>>详细Beyond Exceptionalisms A specter is haunting Latin American Studies: exceptionalism.1 In other words, the highly unanthropological (if you can forgive us for inventing such an awkward word) assumption, according to which Latin American cultures defy interpreters, especially if they are foreigners, given their complexity beyond any possible translation into any system of references other than the ones provided by Latin American circumstances.
  • 摘要：This essay traces the tensions between national imaginaries and transnational global media flows of tango, samba, and ranchera film musicals, taking...>>详细This essay traces the tensions between national imaginaries and transnational global media flows of tango, samba, and ranchera film musicals, taking into account their cross-media and intercultural configurations as well as interconnections between these three "transgenres." From a comparative perspective and by means of a "histoire croisée," or crisscrossing history, it touches upon developments in early Latin American sound film, Hollywood's Spanishlanguage films and its Pan-Americanism, Spain's cinematic Hispanoamericanismo, and Pan- Latin American film productions. The essay makes a case for the multifaceted trans/national cultural economy of the tango, samba, and ranchera film musical productions during their main phase, in the 1930s and 40s.
  • 摘要：In order to achieve the objectives of transparency and accountability, Mexican President Andrés Manuel López Obrador (AMLO) has offered a press conf...>>详细In order to achieve the objectives of transparency and accountability, Mexican President Andrés Manuel López Obrador (AMLO) has offered a press conference every morning since he took office. This situation seemed to be a transcendental change in the field of democratic dynamics and political communication in Mexico; however, not merely a means of communication, these conferences have instead become a method of government. Using postulates of Mimetic Theory, this essay analyzes AMLO's conferences, showing how this daily practice has become propaganda for the regime.
  • 摘要：In this essay we demonstrate that the present and the future are also history and must be dimensions of historiography. For that, we return to episo...>>详细In this essay we demonstrate that the present and the future are also history and must be dimensions of historiography. For that, we return to episodes from our book Alamanac of COVID-19 and some of our readings of key moments of this year in order to reflect on what we have called updatist historicity. In some moments we use the retrospective as a tool. In others we choose to maintain the anachronistic effect of certain passages in order to highlight the contingent aspect of all representation of time. We divided the text into three main parts. The first presents the most recent shifts in the hypothesis about an updatist historicity. In the second, we gathered some episodes from 2020 as a way to elucidate what we are calling updatism in its relations with politics and history, and finally we point out preliminary paths for action with counter-updatist effects.
  • 摘要：Given the robust plurivocality that has characterized literature in Brazil since its colonial inception, and the eminently (and explicitly) receptiv...>>详细Given the robust plurivocality that has characterized literature in Brazil since its colonial inception, and the eminently (and explicitly) receptive stance that many of its modern authors have adopted, I have structured my argument to follow two intersecting paths. Firstly, Clarice Lispector's notion of "writing by ear" serves as a foundation for a renewed history of Brazilian literature, framed as a history of active listening. Secondly, the hope is to offer a Luso-Afro- Amerindian-Brazilian contribution to Latin American criticism, turning the semantic range of terms related to edges, margins, and borders into a more explicit semiotics of corporeality and performativity revolving around the ears and sound, echoes and silence, more generally.
  • 摘要：Contemporary literature has always been a dynamic arena for reflecting on and discussing a country's social changes. With the worsening of social pr...>>详细Contemporary literature has always been a dynamic arena for reflecting on and discussing a country's social changes. With the worsening of social problems and the resurgence of right-wing forces in Brazil in the last decade, literature has endured a series of crises, but it has also found new opportunities. The "marginal writers" who attracted attention at the beginning of the century have gradually moved to the center of Brazilian literature. Aside from denouncing the social problems that exist in the periphery, such as violence, discrimination and poverty, they now pay more attention to the inner feelings of the vulnerable. On the other hand, writers who are known for their psychological descriptions have also begun to explore social issues, often maintaining the subjective perspectives of their characters. This essay argues that the merging of the marginal with the center and of collectivity with subjectivity implies the advent of a new type of narrative in contemporary Brazilian literature.
  • 摘要：Critics tend to cast a suspicious eye on Derek Mahon's seemingly obsessive revisions of his works. Though it needs to be acknowledged that Mahon's habitual practice of revision does not always lead to a definite improvement of the poems' quality, this article argues that the poet revises to destabilize a formation of what Richard Rorty calls "final vocabulary" as a never quitting ironist. Mahon's constant undercutting of his stable textual ground stems from a deeper Mahonian poetics which has at its core the urge to work against fixed perspective and settled interpretation in unsettling political and cultural circumstances that produce intolerance and claustrophobia. Mahon also presents a Beckettian resistance of the limitedness of poetic language by pluralizing poetic ambivalence and indeterminacy.
  • 摘要：Raymond Williams, the eminent British Marxist literary theorist, was introduced to China in the late 1980s, and his theories have since been increasingly attractive to China's literary and cultural studies. He not only touched upon some of the fundamental issues of Marxist literary theory, such as ideology, culture, hegemony and aesthetics, but also developed it with his dynamic construction of a sort of cultural materialism, thus bridging between Marxist socio-historical and aesthetic criticism and cultural and linguistic factors. While literary and cultural theory is in decline in the West, Williams's legacy is still appreciated in international circles, which ought to be cherished and inherited by us Chinese scholars in our studies of world literature and culture.
  • 摘要：This essay analyzes the Mestizo consciousness in Borderlands: The New Mestiza, by Chicana writer Gloria Anzaldúa, together with the short story "Olhos d'Agua" by the Afro-Brazilian writer Concei??o Evaristo. In both works, there is an attempt to return to the indigenous tradition as a way of opposing Western male domination. Both writers, belonging to historically marginalized social groups and finding themselves in the middle of two cultures, take elements from precolonial cultures in their texts to propose a decolonized new way of understanding the world.
  • 摘要：This paper examines the non-human actants in Brian Castro's novel The Garden Book, including nature, the human body, and human artifacts in light of Jane Bennett's theory of vibrant matter and Castro's own arguments about the status of objects. Castro subverts the life-matter binary in this novel, giving attentiveness and respect to material powers, as well as affect and empathy to objects, thus undermining anthropocentrism. In a pandemic era in which humans and non-humans are seen as more interconnected than ever, such empowerment and understanding are not only significant, but also necessary to build a harmonized community.
  • 摘要：In this interview, Jeffrey Schnapp conceptualizes Digital Humanities, Knowledge Design and Experimental Humanities, seen as innovative frameworks, aimed at propitiating a radically new understanding of the current challenges of the contemporary world. The overwhelming presence of digital media and artificial intelligence is scrutinized by Schnapp in order to produce theory literally at the edge.
  • 摘要：José Garcia Villa's "comma poem," in which he introduces "a new, special and poetic use" for the comma, is arguably the poet's most contentious innovation. Starting from an appropriation of Leonard Caspar's description of the comma poems as "demonstrably malfunctional as a dragging foot," this essay argues that the comma poem was a visual performance whereby Villa dis-oriented and de-naturalized poetic "flows" through a queer/crip aesthetic of hesitation and brokenness. Read as footsteps and/or footnotes, the comma's minor mark interrupts and dis-ables normative flow, forcing the reader to adopt a nonnormative "gait." Utilizing Sara Ahmed's phenomenological theory of "queer orientation," I examine how the comma poems' specific incongruity extends beyond modern grammars: anticipating readings of his "foreignness" and "insensitivity" to the English language, Villa performs the essentiality of the "minor mark" through linguistic experimentation. In doing so, he queers not only the "direction" of modern poetry and its canonicity, but also a contemporary politics of recuperation.
  • 摘要：Digital Humanities The study of the introduction of powerful new means of communication has been largely confined to the Social and Human Sciences and in the History of Technology. From Elizabeth Eisenstein's classic book, The Printing Press as an Agent of Change,1 to Marshall McLhuan's extensive work on the global village announced by the emergence of a planetary system of media, understood as an authentic electronic nervous system, which produces fundamental transformations in our ways of perceiving the world and relating to one another,2 there is a myriad of fundamental research undertaken on the topic, the discussion of which naturally is not the scope of this introduction. Rather, we want to highlight a dimension sometimes overlooked, namely, the anthropological changes brought upon by radical shifts in the communicative circuit.
  • 摘要：This study aims to explore the impact of neural machine translation (NMT) postediting on metaphorical expressions from English to Chinese in terms of productivity, translation quality, and the strategies employed. To this end, a comparative study was carried out with 30 student translators who post-edited or translated a text rich in metaphors. By triangulating data from keystroke logging, retrospective protocols, questionnaires, and translation quality evaluation, it was found that: (1) processing metaphorical expressions using NMT post-editing has significantly increased the translators' productivity compared to translating them from scratch; (2) NMT was perceived to be useful in processing metaphorical expressions and post-editing produced fewer errors in the final output than translation from scratch; (3) different strategies were used to process metaphorical expressions in post-editing and from-scratch translation due to the inherent differences in the two tasks, with "direct transfer" used most frequently in post-editing as translators usually rely on the NMT output to produce the final translation but more balanced strategies adopted in from-scratch translation as they need to seek for different solutions to rendering the metaphorical expressions; the quality of NMT output played a major role in what strategies were adopted to process the metaphorical expressions and their final product quality in post-editing, rather than the conventionality of the metaphorical expressions in the source text. Practical and research implications are discussed.
  • 摘要：Known as the representative figure of black minstrelsy, Bert Williams's revolutionary success on Broadway and in the Ziegfeld Follies created a landmark opportunity for black voices to be heard in high-profile setting in a white world. The performance most notably preferred by his white audiences was Williams's minstrel song "Nobody," which from Williams's perspective was also an irreplaceable piece. Visually echoing his minstrel song, Williams's cakewalk performance success in the 1890s laid the basis for the song's popularity. Both the song and Williams's carnivalesque performance blurred the color line and transcended black minstrel stereotypes by taking African Americans' voices in the Jim Crow and lynching eras into serious consideration. However, though black minstrelsy has been largely misunderstood as exclusively racial stereotypes, what Bakhtin describes as the permeating carnivalesque inversion in black minstrel performance helps sharpen and clarify the double consciousness ideology between the burnt cork blackened face mask and the soul of black minstrel performers.
  • 摘要：The Atlas of Brazilian Digital Literature is the first and the only digital archive of digital literature in Brazil to date. It reunites the documentation (taxonomic description, images, videos, interviews with the authors, and critical fortune) of 150 works and counting. This article reports the challenges related to the construction and maintenance of the Atlas, which led to the formation of the Brazilian Digital Literature Observatory, a research group dedicated to follow and critically analyze the production of Brazilian digital literature, to propose alternatives for its preservation, and to discuss the changes in the literary system at a time when print culture and digital culture coexist.
  • 摘要：In this interview, Hans Ulrich Gumbrecht visits some of his groundbreaking theoretical contributions, providing an ample archeological gaze towards the emergence of Digital Humanities. The key concepts proposed by Gumbrecht are discussed as well as the new theoretical framework he developed over the past two decades towards an understating of Humanities not primarily focused on the semantic attribution of meaning.
  • 摘要：The Australian avant-garde raises all the contradictions of avant-garde studies in the present time. Antipodal vanguards in the 20th and 21st centuries would grapple with various aspects of Australian national history, being in various ways and times between East and West, the aligned and non-aligned, the political and geopolitical in poetics. The word "Australia," from the Latin auster, contains meanings for "East." Most importantly, the Antipodal vanguard exposes the contradictions of Australia's imperial-colonial past and the struggle to overcome it. In this essay, I begin with the example of a "Dada" poem that comes from an Aboriginal rain dance, as well as the emergence of Dada poetics from the 1950s to the 1970s. Throughout I keep complexities of history and time at the forefront: what is the worth of a "marginal" national literary history of the avant-garde? What does the avant-garde mean outside Europe or the Euro-US? What can Australian Dadaism tell us about the future of avant-garde studies? Does the avant-garde always lead to nostalgia, or "Austalgia," a hearkening after the past, as much as a striving toward the future?
  • 摘要：The construction of the concept of Latin America has been through different processes regarding its structure and acceptance, from the colonial period to the automatic realignment to the United States, with rare exceptions, and a reorganization with the emergence of multilateralism and the multipolar world. The abstraction, hitherto almost an axiom in the subcontinent, that it is a western region, leads us to the elaboration of this article, which seeks to present Latin America's post-western and de-westernized character in an environment of restructuration of its political economy, its actors, scenarios and, finally, theories. Thus, we present here a review of the state of the art political economy of Latin America and its perspectives in this shifting world, especially in the context of the COVID-19 pandemic.
  • 摘要：The translation equivalence between龍/lung and dragon as well as夷/i and barbarian embodies the way of discourse power competition between China and the United Kingdom of Great Britain with different discourse pedigrees and discourse systems. The translation equivalence between龍/lung and dragon was constructed by means of mutation and discourse rewriting, and the political implication and cultural value of龍/lung in Chinese context were ablated. The equivalence between夷/i and barbarian in the English context was established through the translation manipulation of the British, and the meaning of夷/i was separated from the Chinese historical context forcibly. The British operated discourse mutation on core Chinese political discourses via translation manipulation to weaken the subjectivity of China and bring China into the modern international discourse system dominated by the West, providing support for the expansion and colonization of British imperial discourse. This research provides reference for dealing with the cultural characteristics and universality, and the relationship between subject and object of discourse in the translation of contemporary Chinese discourse.

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