摘要：The practice of the Paris Commune plays an important role in the world communist movement, for the concepts and measures that the Commune took to establish the proletarian state machine are still of significance for the state construction of contemporary socialist countries. At present, our country's political restructuring has entered a deep water area, and is confronted with some protracted problems. It is the political development measures of the Commune that would inspire and lead the further reform of political system. This paper discusses the political measures taken by the Paris commune, and explores its inspiration to further the reform of political system.%巴黎公社的实践在世界共产主义运动史中举足轻重，公社在执政期间采取的建立无产阶级国家机器的理念和措施，仍对现今社会主义国家建设发展有着十分重要的借鉴意义。当前，我国的政治体制改革进入了攻坚期和深水区，进一步深化政治体制改革何去何从，巴黎公社的政治方面的措施给我们以深刻启示。主要通过论述巴黎公社时期采取的政治措施，进而探析其对我国进一步深化政治体制改革的启示意义。
摘要：通过对近年来我国环境伦理研究概况的分析，发现我国环境伦理研究取得了许多成果，推动了环境伦理观的普及；但还缺乏对环境伦理的实践路径研究，尤其缺乏对环境伦理系统性和整体性的研究。这些不足之处将是今后我国环境伦理过程中需要改进的地方，尤其是要重视研究环境伦理如何走向实践，如何服务于生态文明建设。在环境伦理研究中需要重点把握环境伦理的定义、研究对象、研究的主要内容、研究的道德范畴等主要理论问题。我国环境伦理研究在未来将呈现出新的趋势：研究重点将逐步由“人类中心主义”转移到“非人类中心主义”，研究范围将会逐渐扩大，环境公正问题将会更加受到重视，环境伦理学科将会越来越完善，研究将会逐渐侧重于环境伦理的实践路径。%The study of the recent environmental ethics research in China shows that the resulting achievements popularize the ideas of environmental ethics. However attention should be paid to the weakness like the lack of the research of the practice approaches and especially the lack of systematic and holistic research, which should be improved in the process of future environment research. It is important that the environmental ethics study focus on the practice, the service of the ecological civilization construction, and the theoretical issues such as the definition, the subjects, the main content, the moral categories, etc.. The paper believes that the future research of environmental ethics in China will present a new trend: the transfer of the research emphasis from "anthropocentrism" to "non-anthropocentrism", the gradual widening of research scope, and more notice taken to the environmental justice, so as to complete the environmental ethics with particular interest in putting environmental ethics in practice.
摘要：在英国诗歌史上，介于华兹华斯和丁尼生之间的以幽默诗人身份而著称的托马斯•胡德（Thomas Hood，1799~1845）不仅创作了颇有济慈风味的《我记得，我记得》、《玫瑰花开的季节》、《秋颂》等浪漫主义诗篇，还在人生暮年创作了针砭时弊让欧美读者饱含眼泪的人文主义诗篇《衬衫之歌》、《劳工者之歌》、《叹息桥》等。通过他犀利的诗行，他和狄更斯、萨克雷、盖斯凯尔夫人一道喊出了英国社会的良心。胡德的诗触及了诗歌的不同领域和流派，其诗歌风格的多样性使得他成为他那个时代最富才华和最具影响力的诗人。狄更斯认为他“是一个强有力的人—即一个诗人所拥有的惊人的力量和天赋”[1]10。萨克雷称之为“一个真正的天才和诗人”[2]44。%In the history of English poetry, Thomas Hood is known as a humorous poet standing between Wordsworth and Tennyson. He not only composes the romantic lyrics like Keats’ such as I Remember and I Remember, Time of Rose and Ode to Autumn, and also in the evening of his life creates such breath-taking humanism poems about the hot issues as The Song of the Shirt, The Lay of the Laborer and Bridge of Sighs, which move readers to tears. By his trenchant lines, he calls for the social conscience along with Dickens, Thackeray and Mrs Gaskell. Ranging in different fields and schools, the diversity of his poetic style made him the most talented and established poet in his time. Dickens regarded him as “a man of great power with prodigious force and genius as a poet”. Thackeray described him as “a genius and true poet”.
摘要：近现代以降，中国的共同富裕思想不仅深受中国传统文化的影响，而且还深受马克思主义的影响。自改革开放始，邓小平对共同富裕进行了积极的实践探索和理论上的概括总结。邓小平提出了共同富裕思想的实践新方法——“包产到户”、改革开放和市场经济，共同富裕思想的实现新路径——既“先富”又“共富”的梯度进程，共同富裕思想的全局新主张——“两个大局”的宏观控制，共同富裕思想的警示新精要——避免两极分化、生产力成果归人民所有。%Contemporarily, the idea of prosperity for all is derived from not only the Chinese traditional culture, but also Marxism. Since the reform and opening up, the thought has been formed through Deng Xiaoping’s practical exploration and theoretical generalization. Deng Xiaoping has put forward approaches to practice the thought of prosperity for all: the policies to fulfill the prosperity for all by means of fixing farm output quotas on the household basis, reforming and opening up, and market economy; an overall proposition to practice the thought in a gradient process of “letting some people become rich first” and then the prosperity for all; the new essential caution to exercise the thought in the macro strategies controlling over two overall situations; the guarantee of productivity results for all the people and the narrowing of the income disparity.
摘要：我国农业环境污染风险升级且农业环境侵权救济手段缺失的现状，使受害人利益受损且矛盾激化，社会化性质的农业环境责任保险成为满足农业环境侵权救济内在诉求的制度选择。通过对农业环境责任保险制度的4PS与4CS理论分析，对其构建问题提出了相应观点和建议，以期助益于我国环境侵害社会化救济制度的完善。%The risk escalation of agricultural environmental pollution and the deficiency of agricultural environment tort remedy lead to the benefit lose of victims, thus intensifying the conflicts in China. Thereby, it is indispensable that the socialized liability insurance of agricultural environment should take the priority to meet the internal demands of agricultural environment tort remedy. Analyzing the marketing theories of 4Ps and 4Cs in the construction of agricultural environmental liability insurance system, the paper puts forward relevant proposals for the improvement of the socialized environmental liability insurance in China.
摘要：处于不同国度、不同时代、不同作家的作品《古炉》与《铁皮鼓》，却有着共同之处：以特异的叙事人物视角，叙写了特殊时代的生活，从民族的根性剖析上对所述时代进行深入的反思，在具有特异性、超现实性，以及世俗化、日常生活化的叙写中，将主题指向人性的深刻叩问。同时，又因其文化差异与艺术个性，体现出不同的叙事艺术特质：《古炉》以叙述者被动见证、生活还原叙事中，更注重于社会生活消解个人生活叙事，富有中国古典叙事的韵致；《铁皮鼓》则于以叙述者主动审视、个性张扬的叙事中，更强调个人生活中包含社会时代生活叙事。于比较中更可看出当代文学中国化叙事的确立与世界文学叙事之当代建构。%Though written by different novelists in different times and different countries, there are a lot in common between two novels,Old China andThe Tin Drum. Starting from special views of narrative characters and based on the analysis of nation roots, these two novels both narrate lives in special times and reflect deeply the times involved. Their writing bears the features of specialty, super-realism and narration of profane and daily lives. They both direct their themes towards profound enquiries for human nature. Meanwhile, due to their differences in culture and artistic qualities, the two novels embody their respective features of artistic narrations. In the writing of narrator’s passive witness and life restoration,Old China puts more stresses on the narration that social life dispels individual life, hence the charm of Chinese classical narration.The Tin Drum adopts the writing style of narrator’s positive observation and unabashed individuality and emphasizes the narration that social life and times are contained in individual life. The comparison helps readers see more clearly the establishment of narrative Chinization of contemporary literature and the construction of contemporary narration of world literature.
