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Towards the interactive filmic narrative—'Transparency': An experimental approach

机译:走向互动电影叙事-“透明”:一种实验方法

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摘要

Nowadays, the cinematographic language claims for a specific type of interpretation and understanding. The emergence of the digital image and the innovative immersive reception devices provide new and diverse possibilities of reading and interacting within the filmic narrative. That is to say, cinema is constantly reinvented and explores potential renewals within the new interactive medias. This article reflects not only on the mutations of the filmic narrative, but also on its adaptation to interactivity. It proposes, also, new models of implementation, from traditional filmic narrative towards an interactive one. The experimental project Transparency illustrates it—it is a cinematographic project, which has the main goal of studying the interactive filmic narrative. An original plot has been created and adapted to an interactive narrative structure. The project is presented under the form of an installation allowing the spectators to choose the narrative sequences of the story.
机译:如今,摄影语言要求一种特定类型的解释和理解。数字图像的出现和创新的沉浸式接收设备为电影叙事中的阅读和互动提供了新的多样的可能性。也就是说,电影院不断地被革新,并在新的互动媒体中探索潜在的更新。本文不仅反映了电影叙事的突变,还反映了其对互动性的适应性。它还提出了从传统的电影叙事到互动电影叙事的新的实施模式。实验性项目“透明性”对此进行了说明,它是一个摄影项目,其主要目的是研究交互式电影叙事。原始情节已创建并适合交互式叙事结构。该项目以装置形式呈现,观众可以选择故事的叙述顺序。

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