吴岸从1962年《盾上的诗篇》便开始其半个世纪的创作，在砂华文学担任先锋者的角色。对吴岸而言，本土即是砂捞越，其本土书写集中在土地（砂捞越）与个人的回忆与经历。文章核心以吴岸作为砂华文学底下的个体，从本土出发，以书写的独特性展示砂华文学的自主文学场域的可能性。吴岸创作中的本土与现实主义融合并促成思想与空间的交织，形成土地与世界两面维度的接轨，展示具“本土世界观点”的文学。%With his collection, Poems on a Shield, in 1962, Wu An began his career of writing for half a century, playing the role of an avant-garde in Sarawak. For Wu, his native country is Sarawak, and his native writing focuses on his personal memory and experience in his native country(Sarawak). This article centres around Wu An, who, in his unique writing, shows the possibility of the autonomous literary site in Sarawak literature as an individual at the bottom of that literature and from a native point of view. The merging of the native and realism in Wu’s writings that makes it possible for thought and space to be interwoven has bi-dimensionally integrated the land and the world in showing a literature of“native world views.”
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