以景作结是淡莹诗作的一大特点，本论文尝试从身体书写的角度深入探讨淡莹《太极诗谱》、《发上岁月》两本诗集中诗作的文学地景。以法国知觉现象学家梅洛庞蒂对身体在艺术创作以及主体意识的阐述作为理论基础，突出淡莹近乎“直观”的创作特点，并联系身体书写、文学地景、主体性的探寻等三个讨论母题，深究诗人如何在诗作中以文字意象拆解自我形象，重新思考“物－我”关系，使诗作成为重构主体性的身体书写，诗人得以在创作中缓和面对时空变换的焦虑。%Dan Ying (Lew Poo Chan)’s poetry is characterized by endings in landscape. This article is an attempt to discuss, from the angle of body writing, the landscapes in the poems of the two poetry books by Dan Ying, Tai Chi Poetry Spectrum and Years on the Hair. Based on Maurice Merleau-Ponty, a French phenomenological philosopher’s exposition of body in creative writing and subjective consciousness as theoretical basis, this article, by associating threes motifs for discussion, such as body writing, literary landscape and the search for subjectivity, highlights such characteristics as Dan Ying’s almost‘direct perception’and explores how the poet disassembles self-images with words in her poems and re-thinks the subject-object relationship in order to make it possible for the poems to turn into body writing that recomposes subjectivity, thus enabling the poet to relax the anxiety in the face of space-time transformation.
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