首页> 中文期刊> 《温州大学学报(社会科学版)》 >好莱坞模式的移置与潜入--电影《特洛伊》对《荷马史诗》的改写

好莱坞模式的移置与潜入--电影《特洛伊》对《荷马史诗》的改写

         

摘要

The Hollywood movie Troy restates the classical Homer’s Epic, which manifests the typical model of the Hollywood film industry. In terms of the comparative perspective of multiple film versions, Troy’s narrative strategies are more distinct, which can be reflected from three aspects blow: Firstly, it is focus on the liberal heroes, but completely hides the thearchies; Secondly, romantic narrative and aesthetic frames are created to cater and please the audience; Thirdly, the historical sense from Homer’s Epic is weakened by the modern interpretation of existentialism. Therefore, it can be seen that the Hollywood model has permeated the classics, which produces a false illusion instead of the real historical movie.%电影《特洛伊》是对经典文本《荷马史诗》的重述,它的改写体现了好莱坞电影产业的典型模式,在多个电影版本的比较视域下,其叙述策略更加清晰,这种策略具体体现在三个层面:一是强调自由主义英雄,神彻底隐退;二是戏说爱情,以其浪漫唯美面目取悦大众;三是进行存在主义的现代阐释,减弱了史诗故事的历史感。好莱坞模式已悄然移置和潜入经典之中,它不是历史电影,而是好莱坞电影工业制造出的虚假幻象。

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