作为明代复古思潮的有机组成部分，戏曲宗元观念的萌生、发展和深化，与诗文领域的批评及论争态势密切相关，对明代戏曲理论建构产生了深远影响。戏曲“宗元”观念，挟带了传统“宗经”思想的文化威势，移用了其价值论证逻辑，为明代戏曲创作和理论之繁荣创造了合适的舆论环境。曲论家的戏曲史分期往往以当下创作“元代风味”的多少为标准，戏曲批评的若干原则和术语亦由对元代经典的品鉴中获得。以宗元观念绾结诗文与戏曲领域，在明代文坛整体格局中考察戏曲理论的建构过程，有利于全面认识传统诗学理论的涵容力和戏曲批评对诗学体系的拓宽价值。%As an integral part of the Ming Dynasty Revivalism,the initiation, development and deepening of Zong Yuan opera concept,which is closely related to the situation of criticism and controversy in the field of poetry, has a significant impact on drama theory construction in the Ming Dynasty. The idea of Opera“Zong Yuan”, mixing the pow⁃er and influence of the traditional thought“Zong Jing”, shifting the logic argument with its value, creating a suitable environment for opera creation and theory prosperity in the Ming Dynasty. The quantity of“Yuan flavor”in the contem⁃porary creation is respected as the standard of Opera history. A number of principles and terminology of opera criticism is also obtained from classic tasting in the Yuan Dynasty. Mixed the“Zong Yuan”with the concept of poetry and dra⁃ma areas, is helpful to have a comprehensive understanding of poetic theory and the extensive value in the criticism of Poetic System in the process of constructing the theory of drama.
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