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The paintings and career of Cornelis de Man: Art and mercantile culture in seventeenth-century Delft (The Netherlands).

机译:Cornelis de Man的画作和职业:17世纪代尔夫特(荷兰)的艺术和商业文化。

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摘要

This study examines the forces which shaped the career and art of Cornelis de Man, and the ways in which his paintings investigate the role of commerce in seventeenth-century Dutch society. De Man's work is remarkable for the prominence it gives to so many aspects of commercial life. His pictures make very specific references to many of the circumstances, activities, and overseas ventures that led to Dutch economic prosperity as well as to the wide variety of products that became available at this time.; The first chapter opens with a discussion of De Man's earliest dated painting of a whale oil factory in the North Sea, a picture that documents his early pictorial interest in a particular commercial venture in Dutch history. This is followed by an introduction to De Man's genre paintings. Particular attention is given to the ways that he places recognizable motifs and figures, such as the goldweigher, in contemporary settings to consider aspects of seventeenth-century socio-economic life. Particularly notable here is De Man's construction of the merchant-scholar figure, identifiable by his dress in a quilted Japanese robe. This figure straddles the realms of commerce and learning, thus allowing De Man to consider the inter-connections between those realms as a way of making sense of the social conditions of his time.; Chapter 2 looks at De Man's family background and how his relation to a number of apothecaries and silversmiths may have inspired him to paint commercial themes. The focus of chapter 3 is what portraits can tell us about seventeenth-century mercantile culture, and here De Man's acquaintances with prominent Delft citizens and the possible audience for his art are discussed. Chapter 4 focuses on De Man's genre images that refer specifically to overseas travel and trade. A concluding discussion of the representation of non-European people considers how De Man and other artists explored the ways that Dutch society might come to terms with the social changes that accompanied increased contact with people around the world.
机译:这项研究探讨了塑造Cornelis de Man事业和艺术的力量,以及他的画作如何研究商业在17世纪荷兰社会中的作用。德曼的作品以其在商业生活的诸多方面的突出作用而著称。他的照片非常具体地提及了导致荷兰经济繁荣的许多情况,活动和海外企业,以及此时可用的多种产品。第一章以讨论戴曼在北海最早的鲸油工厂的画作作为开端,这幅画记录了他对荷兰历史上某家商业企业的早期绘画兴趣。接下来是对德曼风格绘画的介绍。特别注意他在现代环境中放置可识别的图案和人物(例如金秤)的方式,以考虑17世纪社会经济生活的各个方面。这里特别值得注意的是德曼(De Man)的商人学者人物形象,可以通过他穿着缝的日本袍子的衣服来辨别。这个数字跨越了商业和学习领域,从而使De Man可以考虑这些领域之间的相互联系,以此来理解他当时的社会状况。第2章介绍了德曼的家庭背景,以及他与许多药剂师和银匠的关系可能如何激发他绘制商业主题。第三章的重点是肖像可以告诉我们有关十七世纪的商业文化的内容,在这里讨论了德曼与代尔夫特著名公民的相识以及他的艺术的潜在受众。第4章重点介绍了De Man的流派图像,这些图像专门涉及海外旅行和贸易。关于非欧洲人代表权的总结性讨论考虑了德曼和其他艺术家如何探索荷兰社会如何适应伴随与世界各地人们接触增加的社会变化。

著录项

  • 作者

    Bassett, Laura Michelle.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Art History.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 286 p.
  • 总页数 286
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术史、艺术思想史;
  • 关键词

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