摘要：
新冠肺炎全球肆虐,宅家隔离减少社交接触,社会活动停摆,演艺舞台一片沉寂。但意外地,却能观赏到最新版的歌剧《沙滩上的爱因斯坦》(Einstein on the Beach)。《沙滩上的爱因斯坦》虽然多被称为后现代主义的戏剧代表作品,甚至是一种现代艺术现象,而每次演出也难免会有嘲弄者戏谑地称其为一袭现代的"皇帝的新衣"、一个现代神话式的伪神话。但自该剧首演以来,直至2012年(2013年搬到香港艺术节的舞台来),“正式”的制作也只有四次,每次上演必然是艺坛大事,非常隆重。
摘要：
动画是应用艺术、科技等多元媒介创造出的展示现实、超越现实的文艺形式和制作技术.从现实的角度来看,它描述人类社会现实,具有社会伦理意识;从超现实角度来看,它融合并超越其他文艺符号,在创造视野冲击的同时,表达无限.因此,动画可以凸显个体伦理诉求,建构出超越社会伦理的内涵,即动画伦理的超越性本质.其内容在形式、内涵和方法三个层面上分别为"现代神话""娱乐启蒙"和"跨界移情".在动画艺术顺应世界潮流谋求多方位发展且不断创新的当下,研究动画伦理本质是推动动画发展、建构动画伦理理论的关键.%Animation, created with multi medias such as applied arts and technology and aiming at revealing and transcending reality, is both an artistic form and production technologies.Perceived from the reality, it reveals human social reality and social ethical awareness.Viewed from the super reality, it combines and transcends all other artistic signs, creating visual impact while expressing boundlessness.So animation can project the appeals for individual ethics and construct connotations transcendent of social ethics, which is the transcendent nature of animation ethnics.The transcendent nature of animation ethics includes three layers: form, connotation and methods, featuring "modern myth", "entertainment enlightenment" and "trans-boundary empathy" respectively.Against the current background of animation art following the world trend to seek all-round development and constant innovation, it is vital and imperative to study the essence of animation ethnics to promote the development of animation and construct animation ethic theory.
