Listeners have long been inspired to interact with music and create new representations of popular releases. Vinyl offered many opportunities to reappropriate chart music, from scratching and tempo manipulation to mixing multiple songs together. More recently, artists could engage their audience to interact with their music by offering mix-stems online for experimentation and sharing. With the extended processing power of mobile devices, the opportunities for interactive music are dramatically increasing.This paper presents research that demonstrates a novel approach to interactive digital music. The research looks at the emergent format of the album app and extends existing paradigms of interactive music playback. The novel album app designed in this research presents a new opportunity for listeners to engage with recorded content by allowing them to explore alternative takes, renditions of a given song in multiple genres, and by allowing direct interaction with embedded mix-stems. The resultant audio remains true to the artist and producer’s studio vision; it is user-influenced, but machine-controlled. The research is conducted in collaboration with artist Daisy and The Dark and was funded by the UK Arts and Humanities Research Council.
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机译：长期以来，听众一直受到启发，可以与音乐互动并创建流行发行的新表现形式。从刮擦和节奏控制到将多首歌曲混合在一起，Vinyl提供了许多重新流行图表音乐的机会。最近，艺术家可以通过在线提供混合词条进行实验和共享来吸引听众与音乐互动。随着移动设备处理能力的扩展，交互式音乐的机会正急剧增加。本文提出的研究表明了一种新颖的交互式数字音乐方法。这项研究着眼于专辑应用程序的新兴格式，并扩展了交互式音乐播放的现有范例。这项研究中设计的新颖专辑应用程序为收听者提供了一个新的机会，使他们能够探索录制的内容，包括探索替代品，以多种流派再现给定歌曲，以及允许与嵌入的混音词直接互动。最终的音频仍然忠实于艺术家和制片人的工作室愿景；它受用户影响，但由机器控制。这项研究是与艺术家黛西（Daisy）和黑暗者（The Dark）合作进行的，并由英国艺术与人文研究委员会（UK Arts and Humanities Research Council）资助。
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