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Stepping out of Time: Performing Queer Temporality, Memory, and Relationality in Timelining

机译:走出时间:在时间表中执行酷儿临时性,记忆性和关联性

摘要

In their performance Timelining, Brennan Gerard and Ryan Kelly explore the ways in which intimate relationships are constituted in time. The performance consists of a memory game in which two performers retrace their shared history as a couple. Throughout the performance, the various actions prompted by the memory game question the unity of the couple, instead casting the performers’ relationship as what I will call a two-togetherness. This article looks at Timelining through the lens of queer temporality to scrutinize the operations of different social experiences of time in the constitution of the couple as a twotogetherness. It then interrogates, investigates, and explores the ways in which the performance undermines normative assumptions about the constitution of intimate relationships within time. By breaking down categories of time and memory, Gerard and Kelly suggest that each intimate relationship, whether normative or queer, is constituted through the impossibility of conforming to normative conceptions of time.
机译:在表演时间表中,布伦南·杰拉德(Brennan Gerard)和瑞安·凯利(Ryan Kelly)探索了及时建立亲密关系的方式。表演由一个记忆游戏组成,其中两个表演者作为一对回溯他们的共享历史。在整个表演过程中,记忆游戏所引发的各种动作都对夫妻的团结提出了质疑,而不是将表演者的关系转变为我所说的“两个在一起”。本文通过古怪的时间性视角审视《时光倒流》,以将这对夫妻的构造视为双重融合来审视不同的社会时间体验的运作。然后,它会询问,调查和探索绩效如何破坏有关时间内亲密关系构成的规范性假设的方式。通过细分时间和记忆的类别,杰拉德和凯利建议,每种亲密关系,无论是规范性的还是酷儿的,都是由于不可能遵守规范性的时间观念而构成的。

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    Kessel L. van;

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  • 年度 2017
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