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Chinese Drama Research in Japan’s Modern Period ―Mainly on Masaru Aoki and His Writings―

机译:日本近代中国戏曲研究―以青树雅郎及其著作为中心

摘要

Japanese scholars began their studies of Chinese drama in the Meiji period. After the Meiji Restoration, Japanese academia became significantly influenced by Western academic methods, and as a result of this aspects of folk culture such as drama became an important object of study in the field of Chinese literary studies. Masaru Aoki (1887-1964)was a famous researcher of Chinese drama in Japan’s modern period. Through Aoki’s writings and the recollections of his family and close friends, this paper shall attempt to outline the contours of Aoki’s Chinese drama research. Through an analysis of Aoki’s major works (Shina kinsei gikyoku shi), the author will clarify the approach and problems that, are characteristic of Aoki’s drama research.
机译:日本学者从明治时代开始研究中国戏剧。明治维新后,日本学术界受到西方学术方法的重大影响,因此,戏剧等民间文化成为中国文学研究领域的重要研究对象。青木昌(1887-1964)是日本近代中国戏剧的著名研究者。通过青木的著作以及他的家人和亲密朋友的回忆,本文将试图勾勒出青木中国戏剧研究的轮廓。通过对青木的主要作品(Shina kinsei gikyoku shi)进行分析,作者将阐明青木戏剧研究的特征和方法。

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    辜 承堯;

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  • 年度 2015
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  • 正文语种 ja
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