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Contemporary indie and the construction of identity: discursive representations of indie, gendered subjectivitiesudand the interconnections between indie music and popular fashionudinudtheudUK

机译:当代独立和身份建构:独立,性别主观性的话语表达 ud独立音乐与流行时尚之间的相互联系 ud在 UD在 UD联合王国

摘要

This thesis presents a historicized account of the construction of identity within contemporary indie. Indie emerged as a music scene in the early 1980s, and existing scholarly accounts of it focus on practices of music production and consumption. Indie has expanded and diversified over the last 30 years, however. Crucially, in the UK it has become increasingly interconnected into popular fashion – a development that has transformed indie from being a space solely for the construction of masculine identities, as it was in the 1980s, into a space for the construction of both masculine and feminine identities. These transformations within indie have not been addressed, and one of the contributions of this research is to fill this gap. ududThis thesis contributes to the field of youth cultural studies by providing new knowledge on the relationship between youth culture and popular fashion. Drawing on the Bourdieuian concept ‘field’, the thesis explores the relationship between the sub-field of indie music and the field of popular fashion in the UK, arguing that contemporary indie forms at the points of overlap between these two fields: where their value systems are mutually informative and where their value systems diverge. ududDrawing on Foucault’s concepts ‘discourse’ and ‘practices of the self’, this thesis explores the way in which this complex popular cultural formation creates a space for the construction of identities. Through an analysis of media representations, it considers the discursive constitution of indie, and through an analysis of participant observation and interviews, it explores the ways in which those people participating in this formation construct the self. The thesis contributes to the field of fashion studies in that it draws together these two methodologies into an examination of the construction of identity and, more specifically, gendered identities.
机译:本文提出了当代独立组织中身份建构的历史化解释。独立音乐在1980年代初期出现在音乐界,关于它的现有学术研究集中于音乐生产和消费的实践。但是,过去30年来,独立游戏已经发展壮大并实现了多元化。至关重要的是,在英国,它已日益与流行时尚联系在一起,这一发展已将独立的建筑从1980年代的仅用于建造男性身份的空间转变为建造男性和女性空间的空间。身份。独立内部的这些转换尚未解决,这项研究的贡献之一就是填补了这一空白。 ud ud本论文通过提供有关青年文化与流行时尚之间关系的新知识,为青年文化研究领域做出了贡献。本文以布迪厄主义的“领域”为概念,探讨了独立音乐的子领域与英国流行时尚领域之间的关系,认为当代独立音乐在这两个领域的重叠点上形成:它们的价值所在系统是相互信息的,并且它们的价值系统在哪里存在差异。 ud ud借鉴了福柯的“话语”和“自我实践”的概念,探索了这种复杂的大众文化形态为建构身份建构空间的方式。通过对媒体表现形式的分析,它考虑了独立性的话语构成,并且通过对参与者的观察和访谈的分析,探索了参与这种形式的人们构建自我的方式。论文为时尚研究领域做出了贡献,因为它将这两种方法结合在一起,以检验身份的建构,更具体地说是性别身份的建构。

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