The evolution of a craft: Post-Byzantine bookbinding between the late fifteenth and the early eighteenth century from the libraries of the Iviron Monastery in Mount Athos/Greece and the St. Catherine's monastery in Sinai/Egypt.

摘要

The thesis investigates the ways through which the Greek-style bookbinding was gradually supplanted by European bookbinding, a process which occurred between theudlate fifteenth century, after the fall of the Byzantine Empire, and the early eighteenth century. The Greek-style bookbinding is a distinctive typological binding structureudconfined in the milieu of the Byzantine and post-Byzantine civilization.ududThe research is based on two major monastic libraries, those of the Iviron monastery in Mount Athos/Greece and of the St. Catherine's monastery in Sinai/Egypt. The primaryudmaterial of the research consists of a detailed survey of 419 bookbindings dated between the late fifteenth and the early eighteenth century. To collect and store the collected data a survey methodology had to be devised and a computer database appositely built. Through the analysis of the collected data twelve major bookbinding ateliers are identified and described in full detail, representing both monastic communities, providing the most extensive body of information on bindings of the Greek-Orthodox Christian monastic communities so far. It is through the description of these ateliers that the various influences, both from the West and the East, under which the aforementioned evolution occurred, are identified, considered, and interpreted. A statistical analysis is provided atudthe end of the thesis using tables and graphics in the effort to illustrate the major changes in time and space of the most significant bookbinding features, both technical and decorative.ududExcept providing a full photographic survey of the bookbindings described in the examination of twelve different bookbinding ateliers, graphic representations of many technical and decorative features, and a complete indexed list of all the 593 decorative motifs recorded, the thesis also tries to explore, whenever possible, how theseudbookbindings reflect the social, religious and commercial life of the time.ududSince there is only little, isolated and dispersed, information published, and practically no systematic research on this specific subject and for the specific period considered here, the thesis aims to contribute in filling in a gap as well as providing a methodology forudfurther research in the subject.