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Blackboards were turned into tables … Questioning ‘horizontality’ in collaborative pedagogical art projects

机译:黑板变成了桌子......在协作式教学艺术项目中质疑“水平”

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Blackboards were turned into tables … Questioning ‘horizontality’ in collaborative pedagogical art projects is research based on the practice of the collective microsillons, which is developing collaborative pedagogical art projects in different contexts. ududThe aim of the research is to explore the possibilities offered by ‘horizontal pedagogical exchanges’ and to question the very notion of ‘horizontality’. It interrogates the possibility to challenge, through artistic projects in educational contexts, the traditional master–pupils (or artist–participants, or gallery educator–public) relationship. ududAfter a presentation of microsillons’ position in the cultural field, in particular regarding gallery education practices, collaborative art practices and the Educational Turn in Curating, a series of five collaborative pedagogical art projects realized by the collective between 2009 and 2011 are presented. ududInspired by methods such as thick description and Participatory Action Research, situations in those projects are studied where a more horizontal pedagogical exchange is sought. ududPaulo Freire’s reflection about dialogical pedagogy serves as a starting point in this reflection. Anarchist and libertarian pedagogies, as well as the critical pedagogies discourses following Freire, are used to discuss the various strategies used by microsillons. ududThrough those case studies are discussed the ideas of the classroom as a laboratory for democracy, of content co-generation, of network-like organization, of unpredictability and of constructive conflicts. ududDrawing from poststructuralist and feminist perspectives, key terms of critical pedagogy (such as empowerment) are then rethought and the idea of ‘horizontality’ questioned, complexified, presented as a utopian horizon rather than a practicable concept. Shortcomings and paradoxes in the projects’ attempts toward more egalitarian exchanges are identified and the limitations of the term are discussed. ududThoughts about ways to overcome those reservations and to avoid romanticizing ‘horizontality’ are proposed, opening to microsillons’ future projects.
机译:黑板变成了桌子……质疑合作教学艺术项目中的“水平”是基于集体微型旋风的实践进行的研究,该实践正在不同背景下发展合作教学艺术项目。 ud ud研究的目的是探索“水平教学交流”提供的可能性,并质疑“水平”的概念。它质疑通过教育背景下的艺术项目来挑战传统的大师-学生(或艺术家-参与者,或画廊教育者-公众)关系的可能性。 ud ud在介绍了Microsillons在文化领域的地位后,特别是在画廊教育实践,协作艺术实践和策展教育方面的地位之后,提出了由集体在2009年至2011年间实现的一系列五个协作教学艺术项目。 ud ud受诸如详尽描述和参与式行动研究之类的方法的启发,研究了那些项目中的情况,寻求更横向的教学交流。保罗·弗莱雷(Paulo Freire)对对话式教学法的反思是这一反思的起点。无政府主义者和自由主义者的教学法,以及弗雷雷之后的批判性教学法,都被用来讨论微型飞轮机使用的各种策略。 ud ud通过这些案例研究讨论了教室作为民主实验室,内容协同生成,网络组织,不可预测性和建设性冲突的思想。 ud ud从后结构主义和女性主义的角度出发,然后重新思考批判教育学(例如授权)的关键术语,“水平性”的概念受到质疑,复杂化,呈现为乌托邦式的视野,而不是可行的概念。确定了该项目试图进行更多人际交流的缺点和悖论,并讨论了该术语的局限性。 ud ud提出了有关克服这些保留并避免浪漫化“水平性”的方法的思想,这些方法将向微型旋翼机的未来项目开放。

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    Desvoignes Olivier;

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