D’improvviso da immobile s’illumina is a concerto for bass clarinet, two orchestras, piano, and percussion, that I composed during my graduate studies at Florida International University in Miami. The work is approximately 16 minutes long and is scored for 30 independent instrumental parts in addition to the bass clarinet soloist. Although the piece does not incorporate electronics, electronic music was a major influence in its creation, and the computer was used extensively as a compositional tool. In addition, the writings of Henry Cowell and the music of Sofia Gubaidulina influenced the concerto in a number of ways. While writing this work, I had to discover new ways to allow pure instinct to intermingle with strict calculation. This paper will discuss in detail the various techniques used in the creation of the concerto as well as some of the works that influenced it.
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机译:D'improvviso da immobile s'illumination是我在迈阿密的佛罗里达国际大学研究生学习期间创作的协奏曲,用于贝斯单簧管,两个乐团,钢琴和打击乐器。这项工作大约需要16分钟,除了低音单簧管独奏者外,还为30个独立的乐器声部评分。尽管该乐曲未包含电子学,但电子音乐对其创作产生了重大影响,并且计算机被广泛用作创作工具。此外,亨利·考威尔的著作和索非亚·古拜杜林娜的音乐在许多方面都影响了协奏曲。在撰写本文时,我不得不发现新的方法,使纯真的本能与严格的计算结合在一起。本文将详细讨论协奏曲创作中使用的各种技术,以及对协奏曲产生影响的一些作品。
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