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Words and Images in Dialogue: An analysis of multimodality in artworks by William Blake and Allen Ginsberg

机译:对话中的文字与形象:威廉布莱克和艾伦金斯伯格的艺术作品中的多模态分析

摘要

This essay presents a multimodal analysis and interpretation of an annotated photograph by Allen Ginsberg from 1953 and an engraved plate titled Laocoön by William Blake from circa 1818. The aim is to propose a method for analysing and interpreting how words and images interact asmultimodal elements to create meaning. The proposed method is in turn adapted from existentapproaches to multimodal images from the field of sociosemiotics. In the essay mainly sociosemiotic and cultural historical perspectives were used to interpret the results. The results showed the photograph by Allen Ginsberg to combine the multimodal elements in order to document both his private life as well as that of the Beat generation. In the Laocoön the combination of multimodal elements produced a veritable delta of possible meaning through the integration of word and text ranging from political commentary to art critical debate.
机译:本文对1953年艾伦·金斯伯格(Allen Ginsberg)的带注释照片和1818年左右的威廉·布雷克(William Blake)刻有题为Laocoön的刻版进行了多模态分析和解释。目的是提出一种分析和解释单词和图像如何与多模态元素相互作用的方法。含义。所提出的方法又从社会主义领域的现有方法改编为多峰图像。在本文中,主要使用社会符号学和文化历史的观点来解释结果。结果显示,艾伦·金斯伯格(Allen Ginsberg)的照片结合了多种模式元素,以记录他的私人生活以及Beat一代的生活。在老挝,通过从政治评论到批评性艺术辩论的单词和文本的融合,多模式元素的组合产生了一个真正意义上的可能意义的三角洲。

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