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Beauty-ful Inferiority: Female Subservience in Disney’s Beauty and the Beast

机译:美丽的自卑:迪士尼的美丽与野兽中的女性服从

摘要

The ubiquity of Disney movies has certainly transformed the American cultural landscape. The Disney zeitgeist manifests itself as generations of children actively seek Prince Charmings, unrealistic fairy tale relationships and the omnipotent, happily-ever-after. One such Disney favorite, Beauty and the Beast (1991), reveals typical Disney themes such as the power of altruism, the transformation of the anthropomorphic, and the catharsis of true love. Yet, under these benevolent-seeming Disney themes lurk more sinister, subliminal messages. Beauty and the Beast promotes female subservience and subjugation in addition to the glorification of abusive relationships. Belle, the female protagonist, embodies these gendered disparities and remains objectified by the film’s masculine characters. At first glance, Belle seems as if an assertive, valiant heroine; however, a closer examination belies this understanding of Belle. Thus, my analysis intends to unearth these unexamined messages and also reveals the effect of these messages as consumed by Disney’s target audience: children. Ultimately, the animated Disney cartoon landscape conceals its more sobering, implicit messages. Unveiling these messages reveals the true nature of Disney films, and acknowledges the troubling damage inflicted by the pervasiveness of Disney and its ability to mold American culture.
机译:迪士尼电影的普及无疑改变了美国的文化格局。迪斯尼时代精神的体现是,几代儿童积极地寻找白马王子,不切实际的童话故事关系以及无所不能的幸福生活。迪斯尼的最爱之一,《美女与野兽》(1991年)揭示了迪斯尼的典型主题,如利他主义的力量,拟人化的转变和真爱的宣泄。然而,在这些看起来似仁慈的迪士尼主题下,隐藏着更多险恶,潜意识的信息。美女与野兽除了美化虐待关系外,还促进女性的自卑与屈服。女主角贝儿(Belle)体现了这些性别差异,并且仍然以电影的男性人物为对象。乍一看,百丽似乎是一个自信,英勇的女主角。然而,仔细研究掩盖了对百丽的这种理解。因此,我的分析旨在发掘这些未经审查的消息,并且还揭示了迪士尼目标受众:儿童所消耗的这些消息的影响。最终,动画迪斯尼卡通风景掩盖了其更清醒,含蓄的信息。揭露这些信息揭示了迪斯尼电影的真实本质,并承认迪斯尼的无处不在及其塑造美国文化的能力所造成的令人不安的破坏。

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    Chow Jeremy;

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