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Audience noise in concert halls during musical performances

机译:音乐表演期间音乐厅的观众噪音

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摘要

Noise generated by the audience during musical performances is audible and sometimes disturbing. In this study, an attempt to estimate such audience noise was carried out. From the recordings of performances in five performance spaces (four concert halls and one opera house), probability density functions of the sound pressure levels were obtained in octave bands, which were fitted with three Gaussian distribution curves. The Gaussian distribution curve with the lowest mean value corresponds to a mixture of the technical background noise and audience generated noise, which is named the mixed background noise. Finally, the audience noise distribution is extracted by energy subtraction of the technical background noise levels measured in an empty condition from themixed background noise levels. As a single index, L90 of the audience noise distribution is named the audience noise level. Empirical prediction models were made using the four orchestra concert halls, revealing that the audience noise level is significantly correlated with the technical backgroundnoise level. It is therefore concluded that a relaxation of the current background noise recommendations for concert halls is not recommended.
机译:观众在演奏过程中产生的噪音是可听见的,有时还会令人不安。在这项研究中,试图估计这种观众的噪音。从五个表演空间(四个音乐厅和一个歌剧院)的表演记录中,获得了八度频带中的声压级概率密度函数,并拟合了三个高斯分布曲线。平均值最低的高斯分布曲线对应于技术背景噪声和观众生成的噪声的混合,称为混合背景噪声。最后,通过从混合背景噪声水平中减去在空条件下测得的技术背景噪声水平,来减去观众的噪声分布。作为一个单独的指标,听众噪声分布的L90称为听众噪声水平。使用四个乐团音乐厅建立了经验预测模型,表明观众的噪音水平与技术背景噪音水平显着相关。因此可以得出结论,不建议放宽音乐厅当前的背景噪音建议。

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