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Talking pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text

机译:会说话的图片:在非语言电影文本中创造性地利用叙事音乐视频和电视广告中的结构和美学概况

摘要

This thesis is about storytelling. It is presented in three parts, a major output with two supporting components. The first and primary section is the short film. The second is an exhibition of images, props, and environments created for the work. The third is the exegesis. Situated as creative practice, the project tests and develops structural and aesthetic hypotheses in the creation of a non-spoken film text. These hypotheses are shaped by considerations from two areas.The first is design for narrative music video. An analysis of selected texts leads to a creative reconsideration of the role and profile of imagery, space, time, sound, enigma, closure, and narrative voice. The second area is typography. Reflecting on the anti-language, bogspeak, and the culture that has given rise to its development, the thesis develops inaudible typographical voices that operate as narrative contributions to the film.These two areas of consideration support a unique way of telling stories. This is significant because emerging uses of short film now take these texts beyond the theatre. They are marketed as commercially available stories in their own right. As distribution companies are formatting them on DVDs, viewers are seeing these stories not once, but many times. It is useful therefore, for the design of such texts to consider alternative methods of narration that might work to preserve the durability and complexity of their stories as they unravel over repeated screenings.
机译:这篇论文是讲故事的。它分为三个部分,一个主要输出带有两个支持组件。第一个也是主要部分是短片。第二个展览是为作品创造的图像,道具和环境。第三是训sis。作为创造性的实践,该项目在创作非口语电影文本时测试并发展了结构和美学假设。这些假设由两个方面的考虑决定。第一个是叙事音乐视频的设计。对选定文本的分析可以创造性地重新考虑图像,空间,时间,声音,谜,闭合和叙述性声音的作用和轮廓。第二个领域是排版。通过对反语言,沼泽语和由此产生的文化的反思,本文发展出了听不见的印刷声音,为电影的叙事做出了贡献。这两个方面的考虑支持一种独特的故事讲述方式。这很重要,因为短片的新兴用途现在将这些文本带到了剧院之外。它们本身就是作为商业故事出售的。发行公司正在用DVD格式化它们时,观众看到这些故事不是一次,而是很多次。因此,对于此类文本的设计而言,考虑替代性叙事方法是有用的,因为在反复放映时,叙事方法可能会保持故事的持久性和复杂性。

著录项

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    Ings Welby;

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  • 年度 2006
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  • 原文格式 PDF
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