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The Adventures of Jonathan Dennis, Founding Director of the New Zealand Film Archive

机译:新西兰电影资料馆创始主任乔纳森丹尼斯历险记

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摘要

Jonathan Spencer Dennis (b.1953 d.2002) was the director of the NZFA in its first decade (1981 -1990). A passionate cinéaste, Dennis was proud to have met Lillian Gish, to be friends with Kenneth Anger and to be guided by the advice of Len Lye and Mary Meerson. He studied at the 1979 FIAF Summer School in East Berlin and the BFI (at that time called the British National Film Archive). He also worked at the British National Film Theatre during an extensive study tour of Europe and North America. Yet in the first few years of the Archive’s development, something happened which drew the organization away from its early influences. Witarina Te Miriarangi Parewahaika Harris (nee Mitchell b.1906 d.2007) star of the 1929 film The Devil’s Pit aka Under the Southern Cross (Dir. Collins, L. Universal Studios) became Dennis’ friend and the first kaumātua (elder) of the Archive. She guided Dennis to engage with the iwi of the motu (the people of the country) so that a new type of archive firmly embedded in the traditions of the South Pacific was able to develop. Along the way there was great tension as power imbalances within society were reflected within the Institution’s walls. In turn this tension led to a new creativity, a recognition of the potential of the Archive which incorporated its spiritual as well as intellectual and historical value. Under Dennis’ and Harris’ influence The New Zealand Film Archive began to evolve into Ngā Kaitiaki o Ngā Taonga Whitiāhua: The Guardians of the Treasured Images of Light.
机译:乔纳森·斯潘塞·丹尼斯(Jonathan Spencer Dennis,1953年-2002年)是NZFA成立的头十年(1981 -1990)的董事。丹尼斯(Dennis)热情洋溢,非常荣幸能结识莉莉安·基什(Lillian Gish),与肯尼思·安格(Kenneth Anger)成为朋友,并在Len Lye和Mary Meerson的指导下得到指导。他曾在1979年东柏林FIAF暑期学校和BFI(当时称为英国国家电影资料馆)学习。在欧洲和北美的广泛考察中,他还曾在英国国家电影院工作。然而,在档案馆发展的最初几年中,发生了一些事情,使该组织摆脱了早期的影响。 Witarina Te Miriarangi Parewahaika Harris(nee Mitchell b.1906 d.2007)的1929电影《 The Devil's Pit又名南十字星》(Dir。Collins,L。Universal Studios)中的明星成为Dennis的朋友,第一个kaumātua(长者)是存档。她指导丹尼斯与Motu(该国人民)的常任理事国进行接触,以便开发出一种牢固地融入南太平洋传统的新型档案馆。一路走来,社会内部的权力失衡反映在该机构的隔离墙内,造成了极大的压力。反过来,这种紧张关系导致了新的创造力,即对档案馆潜力的认可,该档案馆结合了其精神,思想和历史价值。在丹尼斯和哈里斯的影响下,新西兰电影档案馆开始发展为“光之宝藏守护者”(NgāKaitiaki oNgāTaongaWhitiāhua)。

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