首页> 外文OA文献 >From spectacle to socially engaged art practice: art as potential disruptor and transformer of engagement with the spectacle
【2h】

From spectacle to socially engaged art practice: art as potential disruptor and transformer of engagement with the spectacle

机译:从奇观到社会参与的艺术实践:艺术作为潜在的破坏者和与景观交往的变换者

代理获取
本网站仅为用户提供外文OA文献查询和代理获取服务,本网站没有原文。下单后我们将采用程序或人工为您竭诚获取高质量的原文,但由于OA文献来源多样且变更频繁,仍可能出现获取不到、文献不完整或与标题不符等情况,如果获取不到我们将提供退款服务。请知悉。

摘要

This research project looks at the potential of public art to engage and transform our individual and collective understandings of dominant contemporary socio-political concepts, perspectives and ideology. It analyses tactics and strategies from other arts practices engaged in social practice, explicitly or implicitly and incorporates them into the research projects methodology of art practice. The works developed use primarily interactive video installations to allude to site specific, contextually based issues. They re-imagine the space and provoke participants to infer and also create their own meaning, and thus aim to spark active as well as reflective engagement with the ideas and themes of the specific works. The work is a lens to not only examine issues of social hierarchies, hegemonic ideology and dominantworld-views, but to provoke audience response and action.To this end Guy Debord’s concepts of spectacle, detournement and recuperation serve as a tool for analysing how various arts practices including that of this research project operate and address the dominant social, cultural and the economic views via aesthetic and ethico-political means. It looks at the possibilities of aesthetic detournement of spectacular life and the extent that the detourne resists recuperation, or re-appropriation by the dominant order of things. It aims to effectively disrupt the spectacle and resist being consumed back into the spectacular order. It is a presentation and representation of the unearthing of concealed truths, to provoke discussion and mindfulness of the structures of the spectacle, in as much as the spectacle can be viewed as propaganda for the dominant hegemony of meaning. The tensions and relationship between spectacle and social practice art, aesthetics and ethics are investigated through theory, practice and reflection.
机译:该研究项目着眼于公共艺术潜在的参与和转化我们对主流当代社会政治概念,观点和意识形态的个人和集体理解。它分析了其他从事社会实践的艺术实践的策略和策略,无论是明示还是暗含的,并将其纳入艺术实践的研究项目方法论中。所开发的作品主要使用交互式视频装置来暗示站点特定的,基于上下文的问题。他们重新构想了空间,并激发参与者进行推理并创造出自己的意义,从而旨在激发人们对特定作品的思想和主题的积极以及反思的参与。该作品不仅是考察社会等级制度,霸权意识形态和统治世界观的问题的镜头,而且还可以激发观众的反应和行动。包括本研究项目在内的各种实践都通过美学和民族政治手段运作并解决了主流的社会,文化和经济观点。它考察了壮观生活的美学de回的可能性,以及tour回拒绝抵抗恢复或被事物的主导秩序重新占用的程度。它旨在有效地破坏眼镜并抵制被消耗掉的壮观景象。它是对隐藏的真理的发掘和表示,它引起了对眼镜结构的讨论和正念,在这种情况下,眼镜可以看作是占主导地位的意义霸权的宣传。通过理论,实践和反思研究了眼镜与社会实践艺术,美学和伦理之间的张力和关系。

著录项

  • 作者

    Allen Marcel Curtis;

  • 作者单位
  • 年度 2015
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类

相似文献

  • 外文文献
  • 中文文献
  • 专利

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号