首页> 外文OA文献 >建構理論對藝術人文教學的影響與實踐:以表演藝術賞析課程爲例
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建構理論對藝術人文教學的影響與實踐:以表演藝術賞析課程爲例

机译:建构理论对艺术人文教学的影响与实践:以表演艺术赏析课程为例

摘要

The purpose of this study is to explore the influence and practice of constructive teaching in humanity arts. The context of this article will begin with the nature of epistemology as an entry point. Then, from the content of arts, analyze the concept of learning and teaching of constructivism as well as the relationship and enlightenment of art appreciation. The research will annotate and revise the constructive teaching model of Driver & Oldham (1986) by involving social cooperative learning techniques and project based learning concepts for developing a suitable constructive teaching methodology of artistic essence for researchers. Finally, this paper will make practice from an appreciation of performance arts courses. The result of the research shows that both the growing knowledge in epistemology and the art's objective nature of learning correspond to each other, which are all based on the target stimulus and problem-posing guidance that enable them to pick up students' daily social experiences. Social cooperative learning demonstrates that students can adapt to various cultural backgrounds and changes in the dominant society, and different discussions and arguments will be able to enhance and build up one's own feeling and significance.
机译:这项研究的目的是探讨建构主义教学在人文艺术中的影响和实践。本文的上下文将以认识论的本质作为切入点。然后,从艺术的内容出发,分析建构主义的学与教概念,以及艺术欣赏的关系和启示。该研究将通过参与社会合作学习技术和基于项目的学习概念来注释和修订Driver&Oldham(1986)的建构性教学模型,从而为研究人员开发一种合适的艺术本质建构性教学方法。最后,本文将从对表演艺术课程的欣赏中进行实践。研究结果表明,认识论知识的增长和艺术学习的客观性是相互对应的,它们都是基于目标刺激和提出问题的指导,使他们能够吸收学生的日常社交经验。社会合作学习表明,学生可以适应主流文化背景下的各种文化背景和变化,并且不同的讨论和论点将能够增强和树立自己的感觉和意义。

著录项

  • 作者

    林幼萍;

  • 作者单位
  • 年度 2014
  • 总页数
  • 原文格式 PDF
  • 正文语种 zh_TW
  • 中图分类
  • 入库时间 2022-08-20 21:07:09

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