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What defines a good work of art within the contemporary art word? theories, practices and institutions

机译:什么在当代艺术词中定义了一件好的艺术作品?理论,实践和制度

摘要

The dissertation explores how quality-judgments on works of art are created within the contemporary art world. The research starts with the examination of modernist art theories supported by the museum, and continues with the exploration of the impact of the art market on quality-judgments. Although the art market had already distorted the idea of quality, further contradictions and difficulties have risen within judgment-making after the 1960s due to the dematerialisation of the work of art. Art criticism should have been able to deal with this complexity, but it is demonstrated that art criticism is a subjective field and even if there is a universal theory on quality, it often fails when applied to the particular work of art. Throughout the dissertation it is demonstrated that although ‘good art’ is a subjective, power- and discourse-dependent concept, all art professionals seek something that is an inherent quality of the artwork. However, regardless of the existence of such inherent value, judgments on quality are constructed by and subjected to power-struggle.
机译:本文探讨了如何在当代艺术世界中创造对艺术品的质量判断。该研究始于对博物馆支持的现代主义艺术理论的考察,然后继续探索艺术市场对质量判断的影响。尽管艺术品市场已经扭曲了质量观念,但由于艺术品的非物质化,在1960年代以后的决策中仍出现了更多的矛盾和困难。艺术批评本来可以应对这种复杂性,但事实证明,艺术批评是一个主观领域,即使有关于质量的普遍理论,将其应用于特定艺术作品时也常常会失败。整篇论文都表明,尽管“好艺术”是一个主观的,依赖权力和话语的概念,但所有艺术专业人士都在寻求某种艺术品的内在品质。但是,无论是否存在这种内在价值,对质量的判断都是由权力斗争构筑的,并且要经受权力斗争。

著录项

  • 作者

    Vekony-Harper Delia;

  • 作者单位
  • 年度 2010
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类
  • 入库时间 2022-08-20 21:06:26

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