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The story of an immune deficiency disease and its representation in the South African print media (1981-2000)

机译:免疫缺陷病的故事及其在南非平面媒体中的代表性(1981-2000)

摘要

This study explores the multiple ways in which Acquired Immune Deficiency Syndrome (AIDS) functioned through concrete biomedical institutions, namely, the Centres for Disease Control (CDC), the National Institutes of Health (NIH), and the World Health Organization (WHO). AIDS is viewed as a product of the full range of institutional practices in which it became embedded and in which it was set within the boundaries of Louis Pasteur's germ theory of disease (see the Preface section). This biomedical model of disease was materialized through journalistic practices and sold as news. Within these operative terms can be understood another analytical strategy that also designates the main domain of my study of this contemporary social form: I argue in this thesis that knowledge about AIDS was by no means dependent solely on the objective, scientifically determined, "received narrative" of biomedicine; what is today known as AIDS is also a product of a wide range of social practices produced and reproduced over time and space. AIDS is also an outcome of the resolutions, judgements and decisions that working journalists made over time in terms of what they generated or covered as news; the disease is also product of a large assortment of representational mirrors that I call `authentic voices', to take as good examples, the "narrative of moral protest", the narrative of a "homosexual disease", the narrative of a "heterosexual disease," and the narrative of a "modern-day Black Death" (plague). The story of AIDS in the media can also be seen to be defined by the proliferation of these authentic voices. From this reading, the distinctive trait of AIDS in the media lies in the fact that it is a constructed object, a disease framed through a specific structure of meanings. When we look at these structure of meanings we find that their moral and cultural assumptions and stereotypical connotations embody certain aspects of the organism of the society within which they were created and nourished over a much longer history.
机译:这项研究探索了通过具体的生物医学机构,即疾病控制中心(CDC),美国国立卫生研究院(NIH)和世界卫生组织(WHO),使获得性免疫缺陷综合症(AIDS)发挥多种作用。艾滋病被视为各种制度实践的产物,并在其中被植入并被置于路易斯·巴斯德(Louis Pasteur)的疾病细菌理论的范围之内(请参见前言)。这种疾病的生物医学模型是通过新闻实践来实现的,并作为新闻出售。在这些有效术语内,可以理解另一种分析策略,该策略也指定了我对这种当代社会形式的研究的主要领域:在本论文中,我认为关于艾滋病的知识绝不仅仅取决于客观,科学确定的“接受的叙述“生物医学;今天所谓的艾滋病,也是随着时间和空间而产生和复制的各种社会实践的产物。艾滋病也是工作的新闻工作者随着时间的流逝而根据其产生或报道的新闻而作出的决议,判断和决定的结果;这种疾病也是各种各样的代表镜子的产物,我称之为“真实的声音”,例如,“道德抗议的叙事”,“同性恋疾病”的叙事,“异性恋疾病的”叙事。 ”和“现代黑死病”(瘟疫)的叙述。媒体中关于艾滋病的故事也可以通过这些真实声音的扩散来定义。从这种读物来看,艾滋病在媒体中的显着特征在于它是一个被构造的对象,一种通过特定意义结构构架的疾病。当我们观察这些意义的结构时,我们发现它们的道德和文化假设以及陈规定型观念体现了社会有机体的某些方面,在这些有机体中,它们被创造和滋养了很长的历史。

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    Mathebe Lucky;

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  • 年度 2009
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