首页> 外文OA文献 >ПРЕДМЕТ І МЕТОДОЛОГІЧНА ОРІЄНТАЦІЯ ЕСТЕТИКИ СТАНІСЛАВА ОССОВСЬКОГО.ud(The subject and methodological orientation of Stanislav Ossowski's aesthetics.)
【2h】

ПРЕДМЕТ І МЕТОДОЛОГІЧНА ОРІЄНТАЦІЯ ЕСТЕТИКИ СТАНІСЛАВА ОССОВСЬКОГО.ud(The subject and methodological orientation of Stanislav Ossowski's aesthetics.)

机译:斯坦尼斯拉夫·奥斯维斯基的美学的主题和方法论取向。(斯坦尼斯拉夫·奥斯索夫斯基美学的主题和方法论取向。)

摘要

Статтю присвячено аналізові основних аспектів естетичної концепції С. Оссовського. Основну увагу автор звертає визначенню предмета і методологічної орієнтації концепції польського естетика, його розумінню поняття мистецтво, розрізненню автотелічного і гетеротелічного мистецтва, значення його позаестетичних функцій.ud(The article is devoted to the analysis of the main aspects of Stanislav Ossowski's aesthetical theory. Author pays attention to the definition of subject and methodological orientation of aesthetics. It's also analysed the concept of art, distinction of the autotelic and heterotelic art, value of its non-aesthetical functions.udS. Ossowski presents not systematic, but analytical philosophical tradition. He critisizes the metaphisical and speculative aesthetics and prefers to use the empirical methods of investigation. That's why the author states the evolution to the sociology of art in Ossowski's works.udOssowski can be presented as suppoter of wide comprehesion os aesthetical subject. He protests against reduction of aesthetical subject to philosophy of art. In his opinion the aesthetics is interesting in two things: beautiful and art.udThe important aspect of present article concerns the reflections about essence of beautiful and aesthetical experience. In this context it's also analyzed the problems of aesthetical creation.udIn Ossowski's opinion the concept of art is not identical to some particular form of artistic creation. This concept concerns the awareness of specific values and formation of artist as socially important man.udS. Ossowski states that such concepts as art, artist, creation are new products of our culture. In the primitive societies the art was not defined as separate sphere. It manifested in different spheres of human life.udThe artistic creation is seen as the mostfree form of cultural life. But the position of art is strongly defined by social functions which have non-aesthetical character. Ossowski's conception of aesthetics cocnerns the sociology of art and pays attention to the art and its heterotelic functions.)
机译:本文致力于分析奥索夫斯基美学观念的主要方面。作者关注波兰美学概念的主题定义和方法论取向,对艺术概念的理解,自体艺术与异端艺术之间的区别,其非美学功能的重要性。 udS。注重艺术的概念,美学的方法论取向。还分析了艺术的概念,自言自语艺术和异语性艺术的区别,其非审美功能的价值。他批评形而上学和投机美学,并倾向于使用经验主义的研究方法,这就是为什么作者陈述了奥斯索夫斯基艺术向社会学的演变。减少哲学的审美主体y的艺术。在他看来,美学在两方面是有趣的:美丽和艺术Ud本文的重要方面涉及对美丽和审美体验本质的反思。在这种情况下,它还分析了审美创造的问题。 UdIn Ossowski认为艺术的概念与某些特定形式的艺术创作并不相同。这个概念涉及对特定价值的认识以及艺术家作为社会上重要人物的形成。奥索夫斯基指出,诸如艺术,艺术家,创作等概念是我们文化的新产物。在原始社会中,艺术没有被定义为一个单独的领域。乌德艺术创作被视为文化生活中最自由的形式。但是艺术的位置是由具有非审美特征的社会功能强烈地定义的。奥索夫斯基的审美观吸引了艺术社会学,并关注艺术及其杂种功能。)

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