首页> 外文OA文献 >A cross cultural study of Chinese yi jing aesthetic theory and Ch'an philosophy applied to contemporary art : bright moon tender wind
【2h】

A cross cultural study of Chinese yi jing aesthetic theory and Ch'an philosophy applied to contemporary art : bright moon tender wind

机译:中国易经美学理论与禅宗哲学的跨文化研究应用于当代艺术:明月柔风

摘要

This thesis examines a spects of the relationship between Eastern and Western art, and philosophy, specifically through the analysis and application of traditional Chinese yijing aesthetic theory and Chan philosophy,with particular reference to contemporary environmental installation practice. I am particular interested in the relationships between the artist, the audience the artwork and the engagement o f all of these with the space.I wished to see whether yijing theory and Chan philosophy might be provide a framework for the development and direction of my own installation practice and to discover whether my resulting artwork could in turn produce a direct interpretation of yijing and Chan. All of this research has been written up in Chapter 1- 4 with an examination of essential background information on the aspects of Chinese art and aesthetic theory known as yi fing. Further such research was undertaken in the area of Chan Buddhism and its relationship to art and the artistic process. This was followed by an investigation of the characteristics of Chinese and Japanese garden design and how they can be seen to exemplify aspects of yijing and Chan. I then considered the history and development of East-West cultural interaction, aspects of environmental and installation practice and certain works by Turrell, Long and Teshigahara in order to provide an historical and theoretical context for my practical work. I Chapter 5 provides a detailed account of 10 practical projects, featuring the process of initiation, development, realisation, appraisal and documentation. Each project has been created and organised according to specific aims and objectives with appraisal and reflection of each project contributing to the particular focus of the practical work that followed. The conclusion of the thesis culminates in the final project, "Bright Moon Tender Wind', which sought to provide a conclusive statement in relation to the research themes. There is extensived ocumentation including images on a CD ROM for all my projects relating to the thesis.
机译:本文主要通过分析和运用中国传统的《易经》美学理论和禅宗哲学,特别是当代环境装置的实践,来探讨东西方艺术与哲学之间的关系。我对艺术家,观众和艺术品之间的关系以及所有这些与空间的关系特别感兴趣,我希望看看《易静论》和《禅宗哲学》是否可以为我自己装置的发展和方向提供框架练习并发现我的作品是否可以反过来产生对《易经》和《禅》的直接解释。所有这些研究都写在第1-4章中,其中包括有关中国艺术和美学理论(称为“艺”)方面的基本背景信息。在禅宗佛教及其与艺术和艺术过程的关系方面进行了进一步的研究。接下来是对中日园林设计特征的调查,以及如何看待它们如何表现出意境和禅意。然后,我考虑了东西方文化互动的历史和发展,环境和装置实践的各个方面以及Turrell,Long和Teshigahara的某些作品,以便为我的实际工作提供历史和理论背景。第一章第5章详细介绍了10个实际项目,包括启动,开发,实现,评估和文档编制的过程。每个项目都是根据特定的目的和目标创建和组织的,对每个项目的评估和反思有助于后续的实际工作。论文的结论以最后一个项目“ Bright Moon Tender Wind”为最终结果,该项目旨在提供与研究主题相关的结论性陈述。我的所有与论文相关的项目都有广泛的记录,包括CD ROM中的图像。

著录项

  • 作者

    Chiu Chun-Chao;

  • 作者单位
  • 年度 2005
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类
  • 入库时间 2022-08-20 21:06:20

相似文献

  • 外文文献
  • 中文文献
  • 专利

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号