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How I have arrived at a notion of knowledge transformation, through understanding the story of myself as creative writer, creative educator, creative manager, and educational researcher

机译:通过了解自己作为创意作家,创意教育家,创意经理和教育研究员的故事,我如何达到知识转型的概念

摘要

My aim in this thesis is to tell the story/stories of how I arrived at a living theory of creativity which I shall call ‘knowledge transformation’. I explore this theory through ‘story’ as a methodology that connects both the creative writer and action researcher, and raises questions about self, reflective process and voice that are central to my enquiry. In telling these stories, I ask the question: what does it mean to be creative, as a writer, an educator and a manager? Is the nature of creativity transferable across each of these roles? How has this knowledge improved my practice as an educator? My examination leads to a theory of learning called ‘knowledge transformation’, which suggests that deep learning leads to change of both the learner and what is learnt. My premise is that ‘knowledge transformation’ involves the capacity to respond to challenge, self and other, and is central to the notion of creativity. I consider how far this capacity can be transferable, teachable and measurable in educational contexts, arriving at a notion of ‘scaffolded creativity’ which is demonstrated through practice in the higher academy. My journey towards and with this theory draws on my experience of four personae, the creative writer in and outside the academy, and the educator, team leader, and researcher within it; and explores the strategies and issues raised by bringing these roles and intelligences together. This theory of ‘knowledge transformation’ represents an aspirational contribution to our understanding of what it means to be ‘creative’. It explores how educational objectives can lead to deep learning and positive change. It also explores how values can be clarified in the course of their emergence and formed into living standards of judgment.
机译:我在这篇论文中的目的是讲一个故事/故事,告诉我我是如何得出一个鲜活的创造力理论的,我称之为“知识转化”。我通过“故事”作为一种将创意作家和行动研究者联系起来的方法论来探讨这一理论,并提出了关于自我,反思性过程和声音的问题,这些问题对我的询问至关重要。在讲这些故事时,我问一个问题:作为作家,教育者和管理者的创造力意味着什么?创造力的本质是否可以在所有这些角色之间转移?这些知识如何改善我作为一名教育工作者的实践?我的考试导致了一种称为“知识转化”的学习理论,这表明深度学习会导致学习者和所学知识的变化。我的前提是“知识转型”涉及应对挑战,自我和其他能力,并且是创造力概念的核心。我考虑了这种能力在教育环境中可以转移,教学和衡量的程度,得出了“脚手架创造力”的概念,这一点在高等院校的实践中得到了证明。我的理论之旅并借鉴了我的四个人格经历,即学院内外的创意作家,以及其中的教育家,团队负责人和研究员。并探讨了将这些角色和智慧融合在一起而提出的策略和问题。这种“知识转化”理论代表了我们对“创意”的理解的雄心勃勃的贡献。它探讨了教育目标如何导致深度学习和积极变革。它还探讨了如何在价值出现过程中阐明价值并将其形成为生活水平的判断标准。

著录项

  • 作者

    Spiro Jane Roberta;

  • 作者单位
  • 年度 2008
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类

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