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>The 'observers' attendant in the poems The love songs of J. Alfred Prufrock, Portrait of lady, Preludes and Rhapsody on a windy night from Thomas Stearns Eliot's Prufrock and other observations as quintessential figures of modernity as defined by Alain Touraine's, Critique of modernity.
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The 'observers' attendant in the poems The love songs of J. Alfred Prufrock, Portrait of lady, Preludes and Rhapsody on a windy night from Thomas Stearns Eliot's Prufrock and other observations as quintessential figures of modernity as defined by Alain Touraine's, Critique of modernity.
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机译：诗歌中的“观察者”伴随着J. alfred prufrock的情歌，女士肖像，前奏曲和狂想曲，来自托马斯·斯特恩斯艾略特的普鲁弗洛克，以及其他观察作为阿兰·图兰的“现代性批判”所定义的现代性的典型人物。 。
