The 1990s in the United States saw a particular cultural anxiety manifested in the crisis of masculinity, in which American men were perceived to be suffering from a loss of power and diminished authority. As President Clinton heralded a final push towards the millennium and the creation of a better, brighter future for the nation, concerns emerged over the ability of straight, white, middle-class men to access this same future. In this pre-millennial period, fatherhood is presented as the solution to this state of masculine crisis. Hollywood in particular invests in this notion of masculine crisis and the need for rehabilitation through fatherhood, indulging in one of the key tenets of Lee Edelman’s theory of reproductive futurism: that of the future being realised through an investment in the child. ududThis thesis examines a number of Hollywood films produced between 1989 and 2001, with the aim of demonstrating how fatherhood is persistently constructed as the key to masculine survival during a period of considerable anxiety over the future.ud
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机译:在1990年代的美国,男子气概的危机表现出一种特殊的文化焦虑,在这种危机中,美国男子被视为丧失了权力并失去了权威。克林顿总统宣告了迈向千年的最后一步,并为国家创造了更好,更光明的未来,人们对直率的,白人的,中产阶级的人有能力进入同样的未来感到担忧。在这个千年前的时期,父亲身份被提出来解决这种男性危机。好莱坞特别投资了这种男性危机和通过父亲身份进行康复的观念,沉迷于李·埃德曼(Lee Edelman)的生殖未来主义理论的主要宗旨之一:通过对孩子的投资来实现未来的理论。 ud ud本论文研究了1989年至2001年之间制作的许多好莱坞电影,目的是说明如何在未来的相当焦虑时期内,如何持续地将父亲身份作为男性生存的关键。
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