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Rock art and landscapes : studies of Stone Age rock art from northern Fennoscandia

机译:岩石艺术和风景:来自Fennoscandia北部的石器时代岩画艺术研究

摘要

The thesis focuses on rock art and landscapes of the Stone Age of northern Fennoscandia, between about 10000BC until 2000BC. Five areas with rock art are selected for in-depth case studies where rock art is studied in relation to time and landscape. The five areas are Ofoten and Alta in northern Norway, Kanozero on Kola Peninsula and Vyg by the White Sea in northwestern Russia and Nämforsen in northern Sweden. Important has been studying rock art both from the west and from the east, crossing administrative borders. The rock art has been studied through new documentation during extensive fieldwork in northwestern Russia, northern Norway, northern Sweden and northern Finland. The thesis investigates how rock art interacts with the landscape at different levels, showing how natural features are intertwined with the rock art, telling the stories in the rocks. The studies suggest that the cracking landscapes of rock art included natural elements from the tiniest crack to the wider landscape. Several places, the rock art are deliberately placed in relation to the miniature landscape of the rock surface and an argument is put forward that the rock art act as geographical references to the hunter-fisher-gatherer landscape from the deliberate choice of the rock art site to the placing of the rock art on the actual rock surface. Moving back in time to the Stone Age, reconstructing lost relations of landscape, an interdisciplinary approach is advocated, where rock art are discussed in relation to circumpolar ethnographic sources to shed light to Stone Age hunter-fisher-gatherer landscapes, and geology is applied to visualize the lost relations of Stone Age hunter-fisher-gatherer landscapes in time and place.
机译:本文的重点是大约10000BC到2000BC之间的Fennoscandia北部石器时代的岩石艺术和景观。选择了五个岩石艺术领域进行深入的案例研究,其中研究岩石艺术与时间和景观的关系。这五个地区分别是挪威北部的Ofoten和Alta,俄罗斯西北部白海的科拉半岛的卡诺泽罗和俄罗斯西北部白海的维格和瑞典北部的纳姆福森。重要的是研究西方和东方穿越行政边界的岩石艺术。在俄罗斯西北部,挪威北部,瑞典北部和芬兰北部的大量田野调查中,通过新的文献研究了岩石艺术。本文研究了岩石艺术如何与不同层次的景观相互作用,展示了自然特征如何与岩石艺术交织在一起,讲述了岩石中的故事。研究表明,岩石艺术的开裂景观包括从最小裂缝到更广泛景观的自然元素。有人故意将岩石艺术与岩石表面的微缩景观联系起来,并提出了一种论点,认为岩石艺术是从故意选择岩石艺术场所作为猎人-渔民-采集者景观的地理参考将岩石艺术品放置在实际岩石表面上。时光倒流回到石器时代,重建景观的迷失关系,倡导一种跨学科的方法,其中与绕极人种志资源联系讨论岩石艺术,为石器时代的猎人-渔民-采集者景观提供启示,并将地质学应用于在时间和地点上可视化石器时代的猎人,渔民和采集者景观的失落关系。

著录项

  • 作者

    Gjerde Jan Magne;

  • 作者单位
  • 年度 2010
  • 总页数
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类

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