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History and Moral Exempla in Enlightenment Aesthetics

机译:启蒙美学的历史与道德范例

摘要

This essay proposes a new focus for studies in the relationship between aesthetics and morality in the Enlightenment period. Recent research, especially by Paul Guyer, seems to have established that the traditional question of whether a genealogy for autonomous aesthetics can be traced attending to the concept of disinterestedness in the era can be answered with an unambiguous no. This, however, should only encourage further research into the nature of the way in which the connection between the beautiful and the good was understood. It is argued here that with the gradual erosion of the humanist rhetorical understanding of history from the seventeenth century the specific content of the link between aesthetics and ethics undergoes a fundamental change, making it significantly more abstract and far less specific.
机译:本文提出了启蒙时期美学与道德关系研究的新重点。最近的研究,尤其是保罗·盖尔(Paul Guyer)的研究似乎已经确立了一个传统的问题,即是否可以追随时代的无私性概念来追溯自主美学的家谱,可以用明确的否定来回答。但是,这仅应鼓励进一步研究理解美与善之间的联系的方式的本质。本文认为,随着十七世纪人文主义对历史的修辞理解的逐渐侵蚀,美学与伦理学之间联系的具体内容发生了根本性的变化,从而使其变得更加抽象和缺乏明确性。

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    Gárdos Bálint;

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  • 年度 2016
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