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From Morality Play to Court Masque: A Study of Allegorical Performance Costume from Medieval Religious Dramas to Secular Theatre of the 17th Century

机译:从道德游戏到宫廷面具:从中世纪宗教戏剧到17世纪世俗剧院的寓言表演服饰研究

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摘要

This paper will explore the development of theatrical costume from the religious mystery and morality plays of the Middle Ages to the secular court masque performances of the sixteenth and seventeenth centuries. With an emphasis on colour, decoration, symbolism and allegory, the progression from ecclesiastical stoles and simple colour association to highly decorative and extravagant costumes will be analysed.udUsed to convey a moral or political message, these performances and their costumes epitomised the occupation with allegory at this time and provide examples of the obvious one dimensional characterisation prevalent in early European theatre. udThis examination will demonstrate how religious and secular theatre of this time, often compartmentalised in historical dress and costume literature, were interconnected and inextricably linked in terms of their performance costume.
机译:本文将探讨戏剧服装的发展,从中世纪的宗教奥秘和道德戏剧到十六和十七世纪的世俗宫廷面具表演。着重于色彩,装饰,象征和寓言,将分析从教堂的披风和简单的色彩联想到极富装饰性和奢华的服饰的演变。 ud用于传达道德或政治信息的这些表演及其服饰象征着职业寓言,并提供欧洲早期剧院中普遍存在的明显一维特征的实例。 ud这项考试将证明这段时期的宗教和世俗戏剧是如何经常与历史服饰和服饰文学区分开的,在表演服饰方面是相互联系且密不可分的。

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    Bate Toni;

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