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'Art is the New Steel': Marketing Creative Urbanism in Twenty-First Century Hamilton, Ontario

机译:“艺术是新钢铁”:安大略省二十一世纪汉密尔顿市场营销创意城市主义

摘要

As a major manufacturing hub in southern Ontario, Hamilton enjoyed considerable economic stability during the twentieth century. However, like most industrial-based cities, Hamilton’s role as a North American manufacturing producer has faded since the 1970’s. This has resulted in dramatic socio-economic impacts, most of which are centered on the inner city. There have been many attempts to revive the core. This includes Hamilton’s most recent urban renewal plans, based upon the principles of Richard Florida’s creative city hypothesis and Ontario’s Places to Grow Act (2005). Common throughout all of Hamilton’s urban renewal initiatives has been the role of the local press. In this thesis I conduct a discourse analysis of media based knowledge production. I show that the local press reproduces creative city discourses as local truths to substantiate and validate a revanchist political agenda. By choosing to celebrate the creative class culture, the local press fails to question its repercussions
机译:作为安大略省南部的主要制造业中心,汉密尔顿在20世纪享有相当可观的经济稳定性。但是,像大多数工业城市一样,汉密尔顿(Hamilton)作为北美制造业生产者的角色自1970年代以来已经减弱。这导致了巨大的社会经济影响,其中大部分集中在市中心。已经进行了许多尝试来使核心恢复活力。这包括汉密尔顿(Hamilton)最近的城市更新计划,该计划基于理查德·佛罗里达(Richard Florida)富有创造力的城市假设和安大略省的《成长场所法》(2005)的原则。在汉密尔顿的所有城市更新计划中,地方新闻界的共同点是。在本文中,我对基于媒体的知识生产进行了话语分析。我表明,当地媒体将创意性的城市话语复制为当地的真相,以证实和验证革命者的政治议程。通过选择庆祝创意阶层的文化,当地媒体未能质疑其影响

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    Russumanno Paolo;

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  • 年度 2015
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  • 原文格式 PDF
  • 正文语种 eng
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