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The Changing Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio

机译:低音单簧管的角色转变:支持其融入现代单簧管演播室

摘要

The bass clarinet of the twenty-first century has come into its own. Composers often treat it as a solo instrument and clarinetists are more often expected to play bass clarinet. In the last half of the twentieth century, the amount of literature for bass clarinet has grown and the quality of the instruments have improved exponentially. Still, most university studios focus primarily on B-flat clarinet. This document is intended as a pedagogical guide for the inclusion of the bass clarinet in the clarinet studio. As support for incorporating the bass clarinet into the undergraduate curriculum, this document describes three areas of development: historical, pedagogical, and the development of literature. In addition, a survey and interviews were conducted in order to gain perspective on current attitudes about teaching and playing bass clarinet. Participants in the study consist of leading bass clarinet pedagogues in higher education, soloists/specialists, and orchestral players known internationally. Chapter 1 focuses on the history of the bass clarinet, beginning with the evolution of bass clarinet designs, followed by an overview of its changing role in the orchestra, chamber ensemble, band, and as a solo instrument. Chapter 2 focuses on pedagogy beginning with performance issues unique to the bass clarinet, followed by an examination of curricula from various types of university programs including those that offer specialty degrees in bass clarinet, those with degrees in multiple woodwind performance, and those with only a foundation in B-flat clarinet studies. Chapter 3 provides a selected, annotated bibliography of bass clarinet literature and criteria for suggested levels of study. Categories of music include “Warm-ups,” “Scale Studies,” “Methods, Guides and Studies,” “Orchestral Excerpts,” “Concerti,” “Works with Piano,” and “Unaccompanied Solo Bass Clarinet.” Chapter 4 is a culmination of the previous chapters and begins with results from the bass clarinet questionnaire, followed by the suggested course guide. The guide ranks literature appropriate for students from freshmen through graduate and professional levels. Bass clarinet literature is shown in conjunction with clarinet literature.
机译:二十一世纪的低音单簧管应运而生。作曲家通常将其视为独奏乐器,而单簧管演奏家通常会演奏低音单簧管。在二十世纪下半叶,低音单簧管的文献量不断增长,乐器的质量呈指数级提高。尽管如此,大多数大学工作室仍然主要专注于B型单簧管。本文档旨在作为在单簧管工作室中包括低音单簧管的教学指南。作为将低音单簧管纳入本科课程的支持,本文档介绍了三个发展领域:历史,教学法和文学发展。此外,还进行了一项调查和访谈,以了解当前对教学和弹奏低音单簧管的态度。这项研究的参与者包括高等教育中的主要黑管单簧管教育家,独奏家/专家和国际知名管弦乐队演奏者。第1章着重介绍低音单簧管的历史,从低音单簧管设计的演变开始,然后概述其在乐团,室内合奏,乐队和作为独奏乐器中的角色变化。第2章侧重于教学法,从低音单簧管特有的演奏问题入手,然后考察各种大学课程的课程,包括提供低音单簧管专业学位的课程,具有多个木管乐器演奏的学位以及仅具有单簧管演奏的学位的课程。 B调单簧管研究的基础。第3章提供了低音单簧管文献的选定的带注释的参考书目,以及建议的学习水平的标准。音乐的类别包括“热身”,“规模研究”,“方法,指南和研究”,“管弦乐摘录”,“音乐会”,“钢琴演奏”和“无伴奏独奏低音单簧管”。第4章是前几章的总结,从低音单簧管问卷调查的结果开始,然后是建议的课程指南。该指南对适合新生,研究生和专业水平学生的文献进行了排名。低音单簧管文学作品与单簧管文学作品一起展示。

著录项

  • 作者

    Iles Jennifer Beth;

  • 作者单位
  • 年度 2015
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类

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