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Participant responses to physical, open-ended interactive digital artworks: a systematic review

机译:参与者对实体,开放式互动数字艺术品的回应:系统评价

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摘要

The main aim of this systematic review was to describe responses ofudparticipants to physical, open-ended interactive digital artworks. Althoughudhuman-to-artwork and human-to-human responses were found in theud22 identified artworks, more human-to-artwork responses were reported. Bothudtypes of responses were further categorised into physical, verbal, andudcognitive/emotional responses. The artworks varied from small table-topudinstallations to large, dark open spaces, and had a range of interactiveudcomponents and features from a heart rate interface to complete bodyudmovements. Results imply there is no straightforward relationship between theudfeatures of the artwork and the kind of response. However, two factors seemedudto influence the participants’ responses: the content (concrete or abstract) of theudartwork, and the presence of others. Creating interactive artworks thatudchallenge new audiences and/or evoke specific responses requires moreudknowledge about the dynamics of the interaction between people andudinteractive artworks.
机译:该系统评价的主要目的是描述参与者对物理,开放式互动数字艺术作品的反应。尽管在 ud22识别的艺术品中发现了“人类对艺术品”和“人类对人类”的响应,但据报道,人类对艺术品的响应更多。两种 udtype的反应都进一步分为物理,口头和 /认知/情感反应。艺术品从小型桌面家具到宽阔,黑暗的开放空间不等,并且具有从心率接口到完整的人体运动的一系列互动 ud组件和功能。结果表明艺术品的特征与响应类型之间没有直接的关系。但是,似乎有两个因素会影响参与者的反应:艺术作品的内容(具体或抽象)以及其他人的在场。创造能够挑战新观众和/或引起特定反响的互动艺术品需要更多的关于人与互动艺术品之间互动动态的知识。

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