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Personal collections as material assemblages: a comparison of wardrobes and music collections

机译:作为材料组合的个人收藏:衣柜和音乐收藏的比较

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摘要

This article takes the case studies of music and clothing collections in the home to explore the possibilities for developing comparative research into everyday consumption by focusing upon personal collections. Drawing on two empirical research projects, it challenges dominant understandings of collections as ‘special’ or separated off from daily practices by considering music and clothing collections as the site for everyday consumption practices as well as the locus of memories. Collections are reframed as ‘assemblages’ to explore the diverse materialities and temporalities that constitute the collections. Agency is distributed through the assemblage which allows for a problematisation of notions of individual consumer choice as the article explores the logics of the collections themselves. Focusing upon ‘collections’ paves the way for comparative work on different genres of consumption and to explore the diverse materialities of things and their relationalities. It widens our understanding of consumption to incorporate the use of things both in the enactment of daily life and which are kept or stored.
机译:本文以家庭中音乐和服装收藏的案例研究为基础,探索通过着重于个人收藏将比较研究发展到日常消费中的可能性。它通过两个实证研究项目,通过将音乐和服装收藏品视为日常消费实践和记忆的场所,挑战了对收藏品“特殊”或与日常实践分离的主流理解。集合被重新组织为“集合”,以探索构成集合的各种物质和时间。代理通过集合进行分配,这使得本文探讨了集合本身的逻辑时,可以对个人消费者选择的概念进行质疑。专注于“收藏”为比较研究不同消费类型铺平了道路,并探索了事物的各种实质性及其相互关系。它拓宽了我们对消费的理解,将对事物的使用纳入了日常生活的制定和保存或存储之中。

著录项

  • 作者

    Woodward, S; Greasley, A;

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  • 年度 2017
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  • 原文格式 PDF
  • 正文语种 en
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