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Redeeming Critique: Resignations to the Cultural Turn in Christian Theology and Ethics

机译:赎回批判:对基督教神学与伦理文化转向的再认识

摘要

In this essay I begin by naming a "turn to culture" that marks a wide range of works in contemporary theology and ethics. I describe how the turn plays out in books by Stanley Hauerwas and Delores S. Williams and argue that their idealist versions of the turn uncritically replicate core features of the dominant cultures they try to criticize. I explain how their idealism in conceiving the oppositional cultures to which they turn constructs those cultures as "others" to the culture being criticized, wholes unto themselves, and symbols that directly participate in some ultimate good or truth. I then gesture toward a more critical, self-conscious performance of the turn to culture. I argue that turns to culture should not obscure but rather thematize the role of the critic in making the turn. I use the work of Pierre Bourdieu and Walter Benjamin to argue that self-conscious critique will involve a set of resignations to reflexivity rather than otherness, to a hodgepodge of highly mobile practices rather than a single, unified tradition, and to regarding cultural artifacts as mixed allegories rather than pure symbols.
机译:在本文中,我首先命名“转向文化”,这标志着当代神学和伦理学领域的众多作品。我描述了Stanley Hauerwas和Delores S. Williams的书中转折的方式,并论证了转折的理想主义版本不加批判地复制了他们试图批评的主流文化的核心特征。我解释了他们在构想他们所面对的对立文化时的理想主义是如何将这些文化构造为被批评文化的“其他”,自身整体以及直接参与某些最终善或真的符号。然后,我示意转向文化转向时更关键,更自觉的表现。我认为,转向文化不应模糊不清,而应使批评者在转向中的作用主题化。我用皮埃尔·布尔迪厄(Pierre Bourdieu)和沃尔特·本杰明(Walter Benjamin)的作品来论证,自我意识的批判将涉及对自反性而不是其他性的一系列诉求,是对高度流动性实践而不是单一统一传统的大杂烩,并将文化人工制品视为混合的寓言而不是纯粹的象征。

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    Smith Ted A. 1968-;

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  • 年度 2004
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