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Making E.T. Perfectly Queer: The Alien Other and the Science Fiction of Sexual Difference

机译:制作E.T.完美的酷儿:外星人的异性和性别差异的科幻小说

摘要

In the wake of E.T.u27s 1982 debut, film critics Marina Heung and Vivian Sobchack established that the enduring appeal of E.T. inheres in the dissolution of the nuclear heterosexual family over the latter half of the twentieth century and the filmu27s “fairy tale” stand-in for the “mythology of family relations” that Dana Cloud terms “conservative familialism.” As Carl Plantinga puts it, E.T. offers a “virtual solution … to [a] traumatic problem.” Despite this, however, E.T. remains for many an inconsolable tragedy. Approaching E.T. from the perspective of the queer child who grows “more sideways than up,” in the real absence of a fairy tale solution to the traumatic problem of conservative familialism, I here seek to identify and celebrate E.T.u27s “complex range of queerness” that has until now remained largely closeted.
机译:在E.T. 1982年首演之后,影评人Marina Heung和Vivian Sobchack确立了E.T.的持久吸引力。在20世纪下半叶,核异性恋家庭的瓦解和电影的“童话”代表了达娜·云(Dana Cloud)所说的“保守家庭主义”的“家庭关系神话”的代名词。正如卡尔·普林丁加(Carl Plantinga)所说,提供了“针对……创伤问题的虚拟解决方案”。尽管如此,E.T。仍然是许多悲惨的悲剧。正在接近E.T.从一个“侧身多于向上”的酷儿的角度出发,在真正缺乏保守家庭主义创伤问题的童话解决方案的情况下,我在这里试图确定和庆祝ET的“复杂性范围”到现在为止基本上还是封闭的。

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    Beloso Brooke M.;

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