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Despair disguised as entertainment: Does Oprah Winfrey sensationalize human suffering in order to fuel her media empire and encourage other media to follow?

机译:绝望伪装成娱乐:奥普拉温弗瑞是否耸人听闻,为媒体帝国提供动力并鼓励其他媒体关注?

摘要

These papers describe position of a popular medial star Oprah Winfey and her influence for today’s culture and tries to show all the points of view on the problematic of her controversial TV show program and all the business around her. The Oprah Winfrey Show is about a certain form of social suffering that originates in the family and that is articulated from the experience and viewpoint of women inside the family. Ironically, while western photojournalism and the evening news regularly import nonwestern images of war, famine, and natural disasters, The Oprah Winfrey Show represents the first television genre that exports American forms of suffering to the rest of the world, a suffering that differs significantly from the imported kinds in that it is individual, private and concerns the self. Oprah made a whole world about her. People are running their lives based around the programs they watch. The Oprah Winfrey Show is about a certain form of social suffering that originates in the family and that is articulated from the experience and viewpoint of women inside the family. Confessional discourse is deployed on the Oprah Winfrey Show, and consumerism, expressions of anxiety and fragmentation, and therapy all coexist with the announcement of self-recovery and self-realization that come from narrating one’s own story. Oprah operates through an interplay of ‘ordinary’ topics, which is her mark, as well as that of the guests, and extra-ordinariness confirmed by her celebrity status. The Oprah Winfrey Show convinces its viewers that their personhood is tied to community, friendship and familial networks but more importantly, that their self is purpose-driven and capable of contesting oppressive forces. What is fascinating is that this mantra of self-betterment acts as an umbrella over the Oprah persona, which stretches across her multi-media empire. Her show, her Web Site, her magazine, her book club, her films, her made for TV movies, even her friends make up the Oprah community. There is a definite mixture of charity, television and the consumer market. Frequently called trash TV, talk shows are cited as representing the worst excesses of cheap television, signaling the ‘dumbing down’ of culture.’ It’s a complex mix of celebrity, media synergy, and female buying power.
机译:这些论文描述了广受欢迎的媒体明星奥普拉·温菲(Oprah Winfey)的立场以及她对当今文化的影响,并试图从所有有争议的电视节目和她周围的事务中展示出所有观点。奥普拉·温弗瑞(Oprah Winfrey)节目讲述了某种形式的社会苦难,这种苦难起源于家庭,并且是根据家庭内部妇女的经验和观点来表达的。具有讽刺意味的是,尽管西方的新闻摄影和晚间新闻经常汇入非西方的战争,饥荒和自然灾害的图片,但奥普拉·温弗瑞(Oprah Winfrey)节目代表了第一种电视类型,将美国形式的苦难输出到世界其他地方,这种苦难与外来种是个人的,私人的并且关注自我。奥普拉(Oprah)对她充满了了解。人们根据观看的节目来维持自己的生活。奥普拉·温弗瑞(Oprah Winfrey)节目讲述了某种形式的社会苦难,这种苦难起源于家庭,并且是根据家庭内部妇女的经验和观点来表达的。在奥普拉·温弗瑞(Oprah Winfrey)演出中运用了ess悔的话语,而消费主义,焦虑和分裂的表情以及治疗则与通过叙述自己的故事而实现的自我恢复和自我实现并存。奥普拉(Oprah)通过“普通”主题(以及她和宾客的标志)之间的相互作用来运作,并通过她的名人身份证实了非凡。奥普拉·温弗瑞(Oprah Winfrey)节目使观众相信,他们的人格与社区,友谊和家庭网络联系在一起,但更重要的是,他们的自我是有目的性的,能够与压迫者抗衡。令人着迷的是,这种自我美化的口号充当了奥普拉角色的保护伞,该角色遍布她的多媒体帝国。她的表演,她的网站,她的杂志,她的读书俱乐部,她的电影,她为电视电影摄制的电影,甚至她的朋友组成了奥普拉社区。慈善,电视和消费市场之间存在一定的混合。脱口秀节目通常被称为垃圾电视,被认为是廉价电视最严重的过剩现象,预示着文化的“愚蠢”。这是名人,媒体协同作用和女性购买力的复杂结合。

著录项

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    Cullen Alana D.;

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  • 年度 2007
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  • 原文格式 PDF
  • 正文语种 English
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