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Stage- vs. Channel-strip Metaphor:Comparing Performance when Adjusting Volume and Panning of a Single Channel in a Stereo Mix

机译:阶段与通道条隐喻:在立体声混音中调整音量和单声道平移时的性能比较

摘要

This study compares the stage metaphor and the channel strip metaphor in terms of performance. Traditionally, music mixing consoles employ a channels strip control metaphor for adjusting parameters such as volume and panning of each track. An alternative control metaphor, the so-called stage metaphor lets the user adjust volume and panning by positioning tracks relative to a virtual listening position. In this study test participants are given the task to adjust volume and panning of one channel (in mixes consisting of three channels) in order to replicate a series of simple pre-rendered mixes. They do this using (1) a small physical mixing controller and (2) using an iPad app, which implements a simple stage metaphor interface. We measure how accurately they are able to replicate mixes in terms of volume and panning and how fast they are at doing so.Results reveal that performance is surprisingly similar and thus we are not able to detect any significant difference in performance between the two interfaces. Qualitative data however, suggests that the stage metaphor is largely favoured for its intuitive interaction - confirming earlier studies.
机译:这项研究比较了舞台隐喻和通道条隐喻的性能。传统上,音乐混合控制台使用通道条控制隐喻来调整参数,例如每个音轨的音量和声像。另一种控制隐喻,即所谓的舞台隐喻,使用户可以通过相对于虚拟收听位置定位音轨来调整音量和声像。在这项研究中,测试参与者的任务是调整一个通道(在由三个通道组成的混合物中)的音量和声像,以复制一系列简单的预渲染混合物。他们使用(1)小型物理混合控制器,以及(2)使用iPad应用程序执行此操作,该应用程序实现了简单的舞台隐喻界面。我们根据音量和平移来衡量他们能够复制混合物的精确度以及这样做的速度,结果显示出令人惊讶的性能相似,因此我们无法检测到两个接口之间的任何显着差异。但是,定性数据表明,舞台隐喻因其直观的交互作用而受到广泛青睐-证实了较早的研究。

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