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The Ouroborus Serpent - The memory in architecture: from the uterine size of the primordial home and the birth of the architectural creation to the object memories

机译:Ouroborus蛇 - 建筑中的记忆:从原始家园的子宫大小和建筑创作的诞生到对象记忆

摘要

The architecture’s memory is the primordial soup to the creative act of architecturaldesign. We intend to demonstrate that the architect uses a "drawer of the stored",standing on "manufactured" or "living" channels and whose creation is notspontaneous, but the result of life experiences and experiences of their consciousnessof the reality, intrinsic to his intellectual maturity. In this regard, examples andcommunication paradigms are presented in the creative process - from the ideaembodiment - until the evolution of these two time marks, and which are shownchangeable and subject to external and more complex readings, in addition to theshift on communication of these processes by the architects and designers. Insummary, in this article those issues will be considered with analysis of visions andproposals of the architects Álvaro Siza Vieira and Oscar Niemeyer and their works
机译:建筑的记忆力是建筑设计创新行为的原始汤水。我们打算证明,建筑师使用“存储的抽屉”,站在“制造的”或“生活的”渠道上,其创作不是自发的,而是生活经验和他们对知识的认识所固有的生活经验的结果。到期。在这方面,从创意实施到创作这两个时间标记,都在创作过程中展示了示例和交流范式,并且这些示例和交流范式是可变的,并受外部和更复杂的解读的影响,此外,这些过程的交流也发生了变化。建筑师和设计师。总而言之,本文将通过分析建筑师ÁlvaroSiza Vieira和Oscar Niemeyer及其作品的愿景和建议来考虑这些问题。

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