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Digital representation of historical globes : methods to make 3D and pseudo-3D models of sixteenth century Mercator globes

机译:历史地球仪的数字表示:制作16世纪墨卡托地球仪的3D和伪3D模型的方法

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摘要

In this paper, the construction of digital representations of a terrestrial and celestial globe will be discussed. Virtual digital (3D) models play an important role in recent research and publications on cultural heritage. The globes discussed in this paper were made by Gerardus Mercator (1512-1594) in 1541 and 1551. Four techniques for the digital representation are discussed and analysed, all using high-resolution photographs of the globes. These photographs were taken under studio conditions in order to get equal lighting and to avoid unwanted light spots. These lighting conditions are important, since the globes have a highly reflective varnish covering. Processing these images using structure from motion, georeferencing of separate scenes and the combination of the photographs with terrestrial laser scanning data results in true 3D representations of the globes. Besides, pseudo-3D models of these globes were generated using dynamic imaging, which is an extensively used technique for visualisations over the Internet. The four techniques and the consequent results are compared on geometric and radiometric quality, with a special focus on their usefulness for distribution and visualisation during an exhibition in honour of the five hundredth birthday of Gerardus Mercator.
机译:在本文中,将讨论地面和天体数字表示的构造。虚拟数字(3D)模型在有关文化遗产的最新研究和出版物中起着重要作用。本文讨论的地球仪是由Gerardus Mercator(1512-1594)在1541和1551年制造的。讨论并分析了四种数字表示技术,所有技术均使用高分辨率的地球仪照片。这些照片是在摄影棚条件下拍摄的,目的是获得均匀的照明并避免不必要的光斑。这些照明条件很重要,因为地球仪具有高度反射的清漆覆盖层。使用来自运动的结构,独立场景的地理配准以及照片与地面激光扫描数据的组合来处理这些图像,可以得到地球的真实3D表示。此外,使用动态成像生成了这些地球仪的伪3D模型,这是一种广泛用于Internet可视化的技术。在纪念Gerardus Mercator诞辰100周年的展览中,对这四种技术及其结果进行了几何和辐射质量比较,特别关注了它们对分布和可视化的有用性。

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