Piano concerto number one, Heatmadah : an original work for piano and orchestra

摘要

The purpose of this study is to create an original composition for piano andorchestra, Piano Concerto Number One, Heatmadah. While numerous compositions ofpiano concerti already exist, the goal of the dissertation, through the process ofcomposing an original score, is to express new ideas based on traditional forms. Thisquest evokes the questioning of traditions, yet presses tightly upon the value of theindividual.The first section presents a brief history of the piano concerto and introduces mypiano concerto, Heatmadah. The second section discusses the significance of the study. Areview of literature is investigated in the third section. The fourth section contains themethodology of my dissertation and includes discussion of preparation, orchestration,the interaction between piano and orchestra, the role of the flute and piccolo,virtuosity, and structure. The structure discussion includes a thorough analysis of howthe work is put together, and is illuminated by several musical excerpts. A descriptionof important musical traits and influences follows, including cyclical transformation,augmentation and diminution of materials, harmonic language, influence of jazz and theiconic jazz artist, influence of Ravel, and challenges and goals.I hope that my concerto will connect and resonate with both performers andaudiences alike.