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Artscape : a sculpture that happens to be a park : an environmental art park and sculpture garden in conjunction with the Contemporary Art Museum (CAM) of downtown Raleigh, North Carolina

机译:artscape:恰好是一个公园的雕塑:环境艺术公园和雕塑花园与北卡罗来纳州罗利市中心的当代艺术博物馆(Cam)相结合

摘要

“I like to think of gardens as sculpturing of space: a beginning and a groping to another level of sculptural experience and use. A total sculptural space experience beyond individual sculptures. A man may enter such a space: it is in scale with him; it is real.” — Isamu Noguchi, A Sculptor's World, p.216Artistic expression of the land has thrived from prehistoric to current times, first as monolithic structures of the ancients, then as figurative sculptures of the Renaissance, and more recently as environmental artworks of contemporary designers. These different artistic expressions, combining art and the land, are also becoming incorporated into modern landscape architecture. This project combines the fields of outdoor sculpture, environmental art, and landscape architecture into a single synthesis of art and design for the land.The purpose of this endeavor was to analyze the interaction of sculptures in and of the land, including sculpture gardens and earthwork projects, with their surrounding landscapes so as to discover the most beneficial design approach to art and land design. In an effort to solve this research problem a variety of methods were employed. First, historical literary references such as John Beardsley's Earthworks and Beyond and other noteworthy sources were examined. Then, current design theories and practices concerning outdoor sculpture display, as exhibited through modern sculpture parks, gardens, and earthworks, were interpreted. Finally, contemporary case studies of modern earthwork projects, including Charles Jencks' Garden of Cosmic Speculation, and urban sculpture gardens, including the Minneapolis Sculpture Garden at the Walker Art Center in Minneapolis, Minnesota, were analyzed.For the practical applications of this research study, an art park was designed for a site and its surrounding context of downtown Raleigh, the state capitol of North Carolina. Located in the currently redeveloping warehouse district of the southwest edge of downtown, this site also borders a planned light rail line and station that play into the development's plan. This site operates in conjunction with and adjacent to the fledgling Contemporary Art Museum (CAM) of Raleigh, a non-collecting institution promoting art education and collaboration within the community. Using a program established from the needs of the art museum and the city parks department, four basic goals of space, aesthetics, connection, and accessibility led the design of this site. In addition to the land art garden, a cultural arts program, consisting of design elements and features throughout the district, was established for the neighborhood to promote cultural identity, historical heritage, and downtown redevelopment. With a variety of differing spaces and places, this arts garden works with the Contemporary Art Museum of Raleigh to provide a community park that benefits everyone.
机译:“我喜欢将花园看作是对空间的雕塑:是雕塑体验和使用的另一个起点和起点。除了单个雕塑,整个雕塑空间的体验。一个人可能进入这样的空间:它与他成比例。是真的。” —雕刻家的世界,野口勇(Isamu Noguchi),第216页从最初的史前时代到当代,土地的艺术表现已蓬勃发展,最初是古代的整体建筑,然后是文艺复兴时期的具象雕塑,最近又成为当代设计师的环境艺术品。这些将艺术与土地融为一体的不同艺术表现形式,也正在融入现代景观建筑中。该项目将户外雕塑,环境艺术和景观建筑等领域整合到该土地的艺术和设计中,旨在分析雕塑在土地上和土地上的相互作用,包括雕塑花园和土方工程项目及其周围的景观,以发现最有益的艺术和土地设计方法。为了解决该研究问题,采用了多种方法。首先,研究了历史文学参考文献,例如约翰·比尔兹利(John Beardsley)的《土力工程》(Earthworks)和《超越》(Beyond),以及其他值得注意的资料。然后,对现代雕塑公园,花园和土方工程所展示的有关室外雕塑展示的最新设计理论和实践进行了解释。最后,分析了现代土方工程的当代案例研究,包括查尔斯·詹克斯(Charles Jencks)的宇宙投机花园以及城市雕塑花园,包括明尼苏达州明尼阿波利斯市沃克艺术中心的明尼阿波利斯雕塑花园。 ,是为北卡罗来纳州州议会大厦罗利市中心及其附近地区设计的一个艺术公园。该地点位于市中心西南边缘目前正在开发的仓库区,也与计划中的轻轨线和车站接壤,这些轻轨线和车站都参与了开发计划。该站点与刚刚成立的罗利当代艺术博物馆(CAM)共同运作,毗邻罗利,这是一个非收藏机构,旨在促进社区内的艺术教育和合作。根据美术馆和城市公园部门的需求建立了一个程序,空间,美学,联系和可及性的四个基本目标决定了该站点的设计。除了土地艺术园外,还为社区建立了一项文化艺术计划,其中包括整个区域的设计元素和功能,以促进文化特征,历史遗产和市区重建。这个艺术花园拥有各种不同的空间和地方,与罗利当代艺术博物馆合作,提供了一个使所有人受益的社区公园。

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    Israel Laura Beth;

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  • 年度 2006
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  • 入库时间 2022-08-20 21:00:46

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