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Application of lens model in measuring responses of urban sculpture between designers and non-designers

机译:镜头模型在测量设计师与非设计师之间城市雕塑反应中的应用

摘要

Public art as an element of urban project is created, selected and located in public spaces by designers. Being in a public domain, another group, which have an interest for public art, is the lay-public or the non-designers. The differences, which do exist between the aesthetic appraisal of designers and non-designers, have created a disparity of affinity for public art. This study compared the similarities and dissimilarities of preference and emotions of designers and non-designers for 24 colored photographs of urban sculptures as public art in Tehran. It examines which symbolism, physical, and conceptual properties of urban sculptures are associated with the global impressions and affective responses of the two groups. “Affect Grid” as a single item instrument was used to measure the emotional expressions of the respondents with two dimensions of ‘pleasure’ and ‘arousal’. The inferential processes of the research findings were described through the Brunswiks’ “Lens Model” to conclude which variables contribute to each group’s appreciations. As previous studies have shown, this study confirms that there are significant dissimilarities between the evaluation responses of both groups. The divergences of the two groups were derived from the overall definition of research variables. Although there is correlation between two groups in some of the research variables, they did not define the variables in the same way. The result was used to explore the extent of disparities between designers and non-designers agreement in utilization of research cues. Traditionally, there is a suggested element of homogeneity in design decision-making among designers but this study showed that the designers are more heterogeneous than non-designers group in appraisal of urban sculptures. Since the basis of the disagreements between both groups is related to different meanings of research variables for each group, this research suggests that using pictorial instruments are more appropriate for this kind of measurement.
机译:设计师将公共艺术作为城市项目的要素进行创建,选择和定位。在公共领域中,另一个对公共艺术感兴趣的群体是非公开的或非设计者。设计师和非设计师的审美评估之间确实存在差异,这造成了对公共艺术的亲和力差距。这项研究比较了德黑兰作为公共艺术的24张城市雕塑彩色照片中设计师和非设计师的喜好和情感的异同。它研究了城市雕塑的哪些象征,物理和概念特性与这两个群体的整体印象和情感反应有关。 “情感网格”作为一项单项工具,被用于测量“愉悦”和“刺激”两个维度的受访者的情感表达。通过Brunswiks的“镜头模型”描述了研究结果的推论过程,以得出哪些变量有助于每个小组的欣赏。如先前的研究所示,该研究证实两组的评估反应之间存在显着差异。两组之间的差异源自研究变量的整体定义。尽管在某些研究变量中两组之间存在相关性,但他们并未以相同的方式定义变量。该结果用于探讨设计者与非设计者协议在利用研究线索方面的差异程度。传统上,设计师之间在设计决策中存在建议的同质性元素,但这项研究表明,在城市雕塑评估中,设计师比非设计师群体更具异质性。由于两组之间意见分歧的基础与各组研究变量的不同含义相关,因此这项研究表明,使用绘画工具更适合此类测量。

著录项

  • 作者

    Malekinezha Fahimeh;

  • 作者单位
  • 年度 2012
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类
  • 入库时间 2022-08-20 20:12:15

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