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Placements and influences on woodcarvings of traditional Malay houses in Negeri Sembilan

机译:森美兰州传统马来房屋的位置和对木雕的影响

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摘要

Woodcarving is a form of art depicting the carver’s intentions and emotions which are laid out on a canvas of timber panels. Despite mass application of woodcarvings in Traditional Malay Houses around Malaysia, the knowledge behind the placements and influences of woodcarvings implemented in Negeri Sembilan needs further research in order to define, identify and differentiate local woodcarvings. This study aims at investigating the placements and influences on woodcarvings of Traditional Malay Houses in Negeri Sembilan through detailed analysis and synthesis of the woodcarvings used. Qualitative research methodologies were used; firstly based on 15 case studies of Traditional Malay Houses in Negeri Sembilan and secondly through content analysis of books, reports, journals and measured drawings. 15 research samples were obtained from measured drawings archived by the Centre for the Study of the Built Environment in the Malay World (KALAM), Universiti Teknologi Malaysia (UTM). Analysis of the data gathered through the various means mentioned above suggested that the woodcarving designs and placements have similar cultural influences of Minangkabau, Chinese and Javanese with religious influences from Hinduism, Buddhism and Islam. These placements and influences were incorporated with local designs which made the juxtaposition of the woodcarvings found in Negeri Sembilan involving many cultural, religious and political influences. The findings indicated that woodcarvings of Traditional Malay Houses in Negeri Sembilan are infused with a variety of placements and influences which ultimately provided some insight into the multicultural and multi-faith community that live side by side in Negeri Sembilan. Even though they were from different backgrounds, the locals and outsiders lived peacefully together and their influences were depicted on the woodcarvings of the Traditional Malay Houses in Negeri Sembilan.
机译:木雕是一种艺术形式,描绘了雕刻师的意图和情感,这些意图和情感被布置在木板上。尽管在马来西亚各地的传统马来房屋中大量使用了木雕,但在森美兰州实施的木雕的位置和影响背后的知识仍需进一步研究,以定义,识别和区分当地的木雕。这项研究旨在通过对所用木雕的详细分析和综合研究,调查森美兰州传统马来民居的木雕的位置和对木雕的影响。使用定性研究方法;首先是对森美兰州传统马来民居的15个案例进行研究,其次是通过对书籍,报告,期刊和实物图纸的内容分析。从马来西亚Teknologi大学(UTM)马来世界建筑环境研究中心(KALAM)存档的测量图纸中获得了15个研究样品。对通过上述各种方式收集的数据进行的分析表明,木雕的设计和摆放具有类似的Minangkabau,中国人和爪哇人的文化影响,以及来自印度教,佛教和伊斯兰教的宗教影响。这些布局和影响与当地设计融为一体,使在森美兰州发现的木雕并置,涉及许多文化,宗教和政治影响。调查结果表明,森美兰州传统马来房屋的木雕充满了多种布局和影响,最终使人们对森美兰州并存的多元文化和多信仰社区有了一定的了解。尽管他们来自不同的背景,但当地人和外人却和平共处,在森美兰的传统马来人房屋的木雕上描绘了他们的影响。

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    Zainal Abidin Nurdiyana;

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