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Outer Space as Liminal Space: Folklore and Liminality on Doctor Who and Battlestar Galactica

机译:作为外层空间的外层空间:《神秘博士》和《太空堡垒卡拉狄加》的民俗学和外在性

摘要

This thesis explores the intersection of folkloric ritual theory and popular culture, expressed in science fiction television. The three-part rite of passage model established by folklorist Arnold van Gennep and later expounded upon by anthropologist Victor Turner is used as an analytical tool to establish the themes and structures of two popular television programs, Battlestar Galactica and Doctor Who. Both contain structures that resemble a rite of passage and exhibit a particular feature of the liminal stage of a rite of passage: ludic recombination. In the discussion of Battlestar Galactica, the plot arc of the entire series is analyzed as a rite of passage. On Doctor Who, the ritual model is examined as a structural component of the "companion" character. The structure and features of rites of passage allow science fiction narratives to explore sociocultural issues and existential themes in a meaningful way.
机译:本文探讨了科幻电视中表达的民俗仪式理论与大众文化的交集。由民俗学家阿诺德·范·甘纳普(Arnold van Gennep)建立,后来由人类学家维克托·特纳(Victor Turner)阐述的,由三部分组成的通过模型用作分析工具,以建立两个受欢迎的电视节目《太空堡垒卡拉狄加》和《神秘博士》的主题和结构。两者都包含类似于通过仪式的结构,并表现出通过仪式的边缘阶段的特定特征:吕迪克重组。在《太空堡垒卡拉狄加》的讨论中,整个系列的情节弧线作为通行仪式进行了分析。在Who医生上,仪式模型被视为“同伴”角色的结构组成部分。通过仪式的结构和特征允许科幻小说叙事以有意义的方式探索社会文化问题和存在主题。

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    Ferrell Erin;

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  • 年度 2014
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