Korean calligraphy went through tremendous changes during the twentieth century, and Jung Hyun-bok (1909-1973), a gifted calligrapher, played an important role in bringing about these changes. This thesis focuses on one of Jung's most mature and refined works, "Using the Peak of the Five Elders as a Brush," owned by the Jordan Schnitzer Museum of Art. In addition to translating and explicating the poems on the screen, through a close examination of both the form and content of the work I explore how it reflects Jung's values, intentions, and background. This thesis also addresses the question of why some critics have classified Jung as a professional artist and considers some of the ways in which he actually cultivated and projected an image of himself as a traditional literatus.
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机译：韩国书法在20世纪经历了巨大的变化，天才的书法家郑玄福（1909-1973）在实现这些变化中发挥了重要作用。本文着重于荣格最成熟，最精致的作品之一，乔丹·施尼茨艺术博物馆（Jordan Schnitzer Art of Art）拥有的“用五个长者的山峰作为笔刷”。除了在屏幕上翻译和阐释诗歌外，通过仔细检查作品的形式和内容，我探索了它如何反映荣格的价值观，意图和背景。本文还讨论了为什么有些评论家将荣格归类为专业艺术家，并考虑了他实际上如何培养和投射自己的传统文人形象的一些问题。
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