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The beautiful, durable and mundane: exploring notions of value in craft and design practice, in the context of sustainability

机译:美丽,耐用和平凡:在可持续发展的背景下探索工艺和设计实践中的价值观念

摘要

The project addresses issues of value and meaning in objects while at the same time considering more sustainable approaches to designing, making and consuming, through the reuse of already existing materials. By exploring concepts such as durability and ephemerality, the precious and the mundane, I have sought to show possibilities for reconciling the production of objects with reduced environmental effects of their production, use and disposal. This was an issue that tended to be neglected during the period of modernist design with its embracing of technology and the machine aesthetic. Since the 1960's with the emergence of designers and writers such as Victor Papanek and Buckminster Fuller there has been a growing concern to develop more sustainable approaches to design, and a broader consideration of meaning and engagement with objects. Some of the significant contemporary designers addressing these issues include Paolo Ulian, Hella Jongerius and Constantin and Laurene Boym. It is with reference to this field that I contextualise my practice. ududThrough the research project I have recognised the importance of a local focus, in supporting more sustainable approaches and engagement with objects. In the process I have identified factors specific to designing with reuse materials, and have used them to guide the direction of the research. These include: material availability, perceived value of materials, time or cost required to achieve a high finish, design complexity and sophistication, and perceived value of the finished product. What has also emerged from the research is the importance of commercial considerations in designing for sustainability, as I believe economically viable objects contribute more than purely symbolic ones in influencing the perceptions and habits of designers and consumers. The project has shown that engagement with objects and sustainable approaches, when considered as integral to a design's development, can be mutually beneficial and lead to aesthetically sophisticated and highly valued objects.
机译:该项目解决了物品的价值和意义问题,同时考虑了通过重复利用现有材料来设计,制造和使用更可持续的方法。通过探索诸如耐用性和短暂性,珍贵和平凡的概念,我试图显示出使物品的生产与生产,使用和处置的环境影响降低的可能性。在现代主义设计时期,由于其对技术和机器美学的拥护,这个问题往往被忽略。自1960年代以来,诸如Victor Papanek和Buckminster Fuller之类的设计师和作家的出现,人们开始越来越关注开发更具可持续性的设计方法,以及对意义和与物体的互动的广泛考虑。一些解决这些问题的重要当代设计师包括Paolo Ulian,Hella Jongerius和Constantin和Laurene Boym。正是参考这一领域,我将自己的实践情境化。在整个研究项目中,我认识到了以本地为中心的重要性,以支持更可持续的方法和与物体的接触。在此过程中,我确定了使用重复使用材料进行设计的特定因素,并用它们来指导研究方向。其中包括:材料的可用性,材料的感知价值,获得高光洁度所需的时间或成本,设计的复杂性和复杂性以及成品的感知价值。该研究还显示出商业考虑因素对可持续性设计的重要性,因为我认为经济可行的物品在影响设计师和消费者的观念和习惯方面,比纯粹的象征意义更大。该项目表明,与对象和可持续方法的互动在被视为设计开发的组成部分时可以互利互惠,并可以带来美观复杂且极有价值的对象。

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    Skinner RJ;

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  • 年度 2006
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  • 正文语种 en
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